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She was principal female singer at the French opera, was a German by birth, and strongly recommended by Gluck for her good natural voice. At Her Majesty's request, Gluck himself taught Madame Saint Huberti the part of Armida. Sacchini, also, at the command of Marie Antoinette, instructed her in the style and sublimity of the Italian school, and Mdlle.
Carpani in his thirteenth letter draws a pleasant picture of Haydn's life with his mistress Boselli, and incidentally describes how various composers composed: Gluck with his piano in a summer meadow and the bottled sunshine of Champagne on each side; Sarti in a dark room at night with a funereal lamp pendant from the ceiling; Salieri in the streets eating sweets; Paer while joking with his friends, gossiping on a thousand things, scolding his servants, quarrelling with his wife and children and petting his dog; Cimarosa in the midst of noisy friends; Sacchini with his sweetheart at his side and his kittens playing on the floor about him; Paesiello in bed; Zingarelli after reading the holy fathers or a classic; Anfossi in the midst of roast capons, steaming sausages, gammons of bacon and ragouts.
She was principal female singer at the French opera, was a German by birth, and strongly recommended by Gluck for her good natural voice. At Her Majesty's request, Gluck himself taught Madame Saint Huberti the part of Armida. Sacchini, also, at the command of Marie Antoinette, instructed her in the style and sublimity of the Italian school, and Mdlle.
That able musician has there excelled in all that is graceful, noble, and pathetic; but it exhibits not the tragic fire that is to be found in the works of GLUCK. SACCHINI has left behind him another composition, called Arvire et Eveline, which, though a cold subject, taken from the history of England, is held in estimation. At this theatre are also performed what the French term operas de genre.
This last observation decided my future good fortune: there was no interest in the minds of the Queen and Princess paramount to that of making proselytes to their creed. The Princess, faithful to her promise, accompanied Sacchini. Whether it was chance, ability, or good fortune, let me not attempt to conjecture; but from that moment I became the protege of this ever-regretted angel.
Arne's "Artaxerxes," which the critics of the day praised as possessing "the beautiful melody of Hasse, the mellifluous richness of Pergolese, the easy flow of Piccini, and the finished cantabile of Sacchini, with his own true and native simplicity."
She was principal female singer at the French opera, was a German by birth, and strongly recommended by Gluck for her good natural voice. At Her Majesty's request, Gluck himself taught Madame Saint Huberti the part of Armida. Sacchini, also, at the command of Marie Antoinette, instructed her in the style and sublimity of the Italian school, and Mdlle.
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