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When, in his capacity as enemy to the new dynasty, Raoul was introduced in the salon of Madame de Montcornet, his apparent grandeurs were flourishing. He was accepted as the political critic of the de Marsays, the Rastignacs, and the Roche-Hugons, who had stepped into power.

Every one appeared to be absorbed in his own affairs; one chattered with the prefect about a new crossroad, another proposed to vary the pleasures of the evening with a little music. The great world of Angouleme, feeling that it was no judge of poetry, was very anxious, in the first place, to hear the verdict of the Pimentels and the Rastignacs, and formed a little group about them.

The rooms were almost as full as on that memorable evening of Lucien's readings from Chenier. Some faces were missing: M. de Chandour and Amelie, M. de Pimental and the Rastignacs and M. de Bargeton was no longer there; but the Bishop came, as before, with his vicars-general in his train. Petit-Claud was much impressed by the sight of the great world of Angouleme.

Perhaps in this form Rastignac may come round to the project." "Yes, but take care you don't make an enemy of Vinet, who will think you very impertinent to have an idea which ought, naturally, to have come into the head of so great a parliamentary tactician as himself." "Well, before long," said Maxime, rising, "I hope to bring the Vinets and Rastignacs, and others like them, to heel.

"I'm sick of them all," he thought; "the De Beauseants, and Rastignacs, the German Jews, and the patrician beauties, and the Israelitish Circes of the Rue Taitbout, and the sickly self-sacrificing provincial angels, and the ghastly vieilles filles.

I drifted into poetry; he was cleverer, he took the practical side." The priest stopped the caleche; and was so far curious as to walk down the little avenue that led to the house, showing more interest in the place than Lucien expected from a Spanish ecclesiastic. "Then, do you know the Rastignacs?" asked Lucien.

It does not copy it, but moulds it to its purpose. The nineteenth century, as we know it, is largely an invention of Balzac. Our Luciens de Rubempre, our Rastignacs, and De Marsays made their first appearance on the stage of the Comedie Humaine. We are merely carrying out, with footnotes and unnecessary additions, the whim or fancy or creative vision of a great novelist.

Every one appeared to be absorbed in his own affairs; one chattered with the prefect about a new crossroad, another proposed to vary the pleasures of the evening with a little music. The great world of Angouleme, feeling that it was no judge of poetry, was very anxious, in the first place, to hear the verdict of the Pimentels and the Rastignacs, and formed a little group about them.