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Melicertus addresses Samela, whom he finds feeding her flocks, in the following terms: Mistress of all eyes that glance but at the excellence of your perfection, sovereign of all such as Venus hath allowed for lovers, Oenone's over-match, Arcadia's comet, Beauty's second comfort, all hail!

Besides publishing three volumes of miscellany poems, she wrote seventeen plays, and some histories and novels. She translated Fontenelle's History of Oracles, and plurality of worlds, to which last she annexed an Essay on Translation, and translated Prose. The Paraphrase of Oenone's, Epistle to Paris, in the English Translation of Ovid's Epistles is Mrs.

I thought of OEnone's "tall, dark pines, that fringed the craggy ledge High over the blue gorge, and all between The snowy peak and snow-white cataract Fostered the callow eaglet;" and certainly she had on Mount Ida no more beautiful trees than these.

The alterations which converted a beautiful but faulty into a beautiful and flawless poem perhaps obscure the significance of OEnone's "I will not die alone," which in the earlier volume directly refers to the foreseen end of all as narrated in Tennyson's late piece, The Death of OEnone.

We have observed, that in the English translation of Ovid's Epistles, the paraphrase of Oenone's Epistle to Paris is her's. In the preface to that work Mr. Dryden pays her this handsome compliment. "I was desired to say, that the author, who is of the fair sex, understood not Latin; but if she does not, I'm afraid she has given us occasion to be ashamed who do."

It makes vivid and intense his scholarly handling of Greek myth; always the unchanging human aspect of it attracts him most, in Oenone's grief, in the indomitableness of Ulysses, the weariness and disillusionment in Tithonus. It has been the cause of the comfort he has brought to sorrow; none of his generation takes such a human attitude to death.

In the vexed glories of unquiet Troy, So might to Helen's jealous ear discourse The flute, first tuned on Ida's haunted hill, Against OEnone's coming, to betray In what sweet solitude her shepherd lay. Yet, Poet-Priest! the world shall ever thrill To thy loved theme, its charm undying still!