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Updated: June 15, 2025


These five compilations together with the Nihon Shoki are honoured as the Six National Histories. It is noticeable that the writers were men of the highest rank, from prime ministers downwards. In such honour was the historiographer's art held in Japan in the eighth and ninth centuries.

Since the day when Honen Shonin appeared in the world, and set forth the single Ark of the Divine Promise, hath the Doctrine of the Pure Land gloriously shone upon the hearts of all men in the land of Nihon.

The story is to be found in the Zoku Nihon Ki, or supplementary history of Japan. Her performances, however, seem only to have consisted in dancing or posturing dressed up in the costume of the nobles of the Court, from which fact her dance was called Otoko-mai, or the man's dance. Her name is only worth mentioning on account of the respect in which her memory is held by actors.

Valuable as the two books are, therefore, they cannot be accepted without large limitations. The Nihon Shoki occupied a high place in national esteem from the outset.

But it is alleged* that medicines for internal and external use were in existence and that recourse to thermal springs was commonly practised from remote times. *By the Nihon Bummei Shiryaku. While Yuryaku was on the throne, Korea and China sent pictorial experts to Japan. The Korean was named Isuraka, and the Chinese, Shinki.

It was written, for the most part, with a script called the Manyo syllabary; that is to say, with Chinese ideographs employed phonetically, and it did not at all attain the literary standard of its Chinese prototype. The Nihon Shoki consisted originally of thirty-one volumes, but of these one, containing the genealogies of the sovereigns, has been lost.

He was very tall, and walked quickly with long steps; and the children began to cry at the sight of him, because his face was not like the faces of the people of Nihon. My little brother cried out loud, and hid his face in mother's robe; and mother reproved him and said: "This foreigner is a very good man who has come here to serve our prince; and it is very disrespectful to cry at seeing him."

The Nihon Shoki records that, on the death of Yamato Hiko no Mikoto, his immediate retainers were buried alive in a standing position around the grave, presumably with the heads alone projecting above the surface of the ground.

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