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Updated: June 22, 2025


The smouldering fire of discontent broke into fierce flame on August 25th, 1830, in the city of Brussels, during a performance of the opera "Muette de Portici," when the tenor was singing the inspired words of Massaniello: "Plutôt mourir que rester misérable, Pour un esclave est-il quelque danger? Tombe le joug qui nous accable, Et sous nos coups périsse l'étranger.

Such a tribunal as St. Louis held under an oak-tree, or the Emperor Akbar in a mango grove, would be intelligible to him; but the procedure, the embarrassments, the sophistries, the whole machinery of modern law are abhorrent to him. He yearned to be the Tell, the Massaniello, the Andreas Hofer, of his province; but the apathy and supineness and timidity of his neighbors tied his hands.

Massaniello was mad nobody doubted it yet for all that he overturned the government of Naples." In June, 1765, Mr. Otis proposed the calling of a congress of delegates from all the colonies to consider the Stamp Act. In that famous Congress which met in October, 1765, in New York, he was one of the delegates, and was appointed on the committee to prepare an address to the Commons of England.

Nourrit enacted "Massaniello," and his rich and flexible voice gave passion and feeling to the music. Noblet was the "Fenella," and her pantomime and dancing were good; but Taglioni spoils one for any other dancing.

They have chosen him for one of their deputies at the Congress, and general meeting from the respective governments. It was said the man is mad. What then? One madman often makes many. Massaniello was mad, no body doubts; yet for all that, he overturned the government of Naples. Madness is catching in all popular assemblies, and upon all popular matters. The book is full of wildness.

Those gentlemen, he said, were not a Parliament: they were a mere rabble: they resembled nothing so much as the mob of fishermen and market gardeners, who, at Naples, yelled and threw up their caps in honour of Massaniello.

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