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Updated: June 8, 2025
On the afternoon he requested the British Ambassador in Berlin to propose the conference to the German Government. Another telegram, document No. 15, bearing the same date and likewise from Bethmann-Hollweg to Lichnowsky is as follows: "We have immediately commenced the mediatory action in Vienna in the sense desired by Sir Edward Grey.
They believed, as professional soldiers usually do, in the "inevitability" of war, and they had, of course, a professional interest in making war. Their attitude may be illustrated from a statement attributed by M. Bourdon to Prince Lichnowsky in 1912 : "The soldiers think about war. It is their business and their duty.
Princess Lichnowsky, who had observed Beethoven's act in disciplining Ries earlier in the evening, stationed herself back of Beethoven's chair, while Ries turned the pages.
The "musical Count" is probably Count Moritz Lichnowsky, brother of Prince Carl Lichnowsky, in whose house were held those musical performances in which Beethoven's works were first produced. Even at that time he behaved in a very dictatorial manner to those gentlemen when his compositions were badly executed.
When the smoke of a big ship was seen on the horizon the Amphion gave chase, firing a warning shot as it drew near the vessel, which at once made known its identity as the Harwich boat St. Petersburg, carrying Prince Lichnowsky, the German ambassador, to the Hook of Holland. While returning to port came the tragedy of the Amphion. As it struck a sunken mine it gave two plunging jerks.
One of his earliest Vienna friends was Prince Lichnowsky, a person who seems to have possessed a combination of all those noble qualities that go to make up the character of a gentleman. Highly cultivated and enthusiastic on the subject of music, he had the penetration to see that in Beethoven he had before him one of the elect of all time.
The very Ambassador from Germany, Prince Lichnowsky, agrees with Rhodes that the salvation of mankind lies in British imperialism.
The diabolical character of Prince Lichnowsky's selection for this purpose was that, though his mission was one of deception, he was not himself a party to it and did not realize until it was too late that he had been used merely as a tool. Prince Lichnowsky was not called upon to assume a mask; all that was necessary was that he should simply be himself.
Ries relates an incident illustrating the cameraderie existing between Beethoven and the aristocratic ladies of his circle. In this instance. Princess Lichnowsky, who was a Countess Thun, and connected with some of the best families in Europe, was the central figure. One evening at Count Browne's, Ries was asked to play a sonata with which he was not familiar.
One fact in relation to the finale of this symphony has caused Professor Marx no little trouble. The movement is a theme and variations, with a fugue, and was also published by Beethoven as a "Theme and Variations for the Pianoforte," Op. 35, dedicated to Moritz Lichnowsky. The theme is from the finale of the "Prometheus."
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