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Updated: May 21, 2025
In the latter respect these Nemi legends are probably more to be trusted than the apparently historical tradition, vouched for by Cato the Elder, that the sacred grove was dedicated to Diana by a certain Egerius Baebius or Laevius of Tusculum, a Latin dictator, on behalf of the peoples of Tusculum, Aricia, Lanuvium, Laurentum, Cora, Tibur, Pometia, and Ardea.
It is neither to be wondered at nor regretted that of this countless host of poets but few names have been preserved to us; and even these are mostly mentioned merely as curiosities or as once upon a time great; such as the orator Quintus Hortensius with his "five hundred thousand lines" of tiresome obscenity, and the somewhat more frequently mentioned Laevius, whose -Erotopaegnia- attracted a certain interest only by their complicated measures and affected phraseology.
A Roman satirist uses the name Manius as typical of the beggars who lay in wait for pilgrims on the Arician slopes. These differences of opinion, together with the discrepancy between Manius Egerius of Aricia and Egerius Laevius of Tusculum, as well as the resemblance of both names to the mythical Egeria, excite our suspicion.
On the ivory shelves were the philtres of Parthenius, labelled De Amatoriis Affectionibus, the Sybaris of Clitonymus, the Erotopaegnia of Laevius, the maxims and instructions of Elephantis, the nine books of Sappho.
I would also have quoted for your benefit similar passages from Theocritus with many others from Homer and Orpheus, from the comic and tragic poets and from the historians, had I not noticed ere now that you were unable to read Pudentilla's letter which was written in Greek. I will, therefore, do no more than cite one Latin poet. Those who have read Laevius will recognize the lines.
It is neither to be wondered at nor regretted that of this countless host of poets but few names have been preserved to us; and even these are mostly mentioned merely as curiosities or as once upon a time great; such as the orator Quintus Hortensius with his "five hundred thousand lines" of tiresome obscenity, and the somewhat more frequently mentioned Laevius, whose -Erotopaegnia- attracted a certain interest only by their complicated measures and affected phraseology.
In the blank of poetry we may note a translation of the Iliad into hexameters by one Gnaeus Matius, and the earliest known attempts at imitation of the forms of Greek lyrical verse by an equally obscure Laevius Melissus, as dim premonitions of the new growth which Latin poetry was feeling after; but neither these, nor the literary tragedies which still were occasionally produced by a survival of the fashions of an earlier age, are of any account for their own sake.
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