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Updated: May 21, 2025
But the burial customs of most of the Klemantan tribes are different. Their usual practice is to keep the coffin containing the corpse in the gallery of the house until the period of mourning is terminated. A bamboo tube carried down through the floor to the ground permits the escape of fluids resulting from decomposition.
The Malohs, a Klemantan sub-tribe in the upper basin of the Kapuas river, are well known as brass-workers; their wares are bartered throughout the country, and a few Maloh brass-workers may be found temporarily settled in many of the larger villages of all tribes.
On one occasion, one of us being a little indisposed in a Klemantan house, we made an opportunity to examine the methods of the DAYONG a little more closely than is usually possible, by inviting one to undertake the extraction of his pains.
Among the Muruts there is much drunkenness and consequent disorder, and the same is true in a less degree of the Sea Dayaks; among them and some of the Klemantan tribes quarrels within the house are of frequent occurrence, generally over disputed ownership of land, crops, fruit-trees, or other property. And these quarrels are not easily composed by the chiefs.
The Klemantan gods are more numerous and more vaguely conceived, and the whole system seems more confused than that of the Kayans or Kenyahs. It is probable that the Klemantan tribes have borrowed freely from these more powerful neighbours. Many of them are very skilful in wood-carving, and it is probably largely owing to this circumstance that they make a larger number of images in human form.
The view that the Kayans have played this large civilising role is supported by the fact that Kayan is the language most widely understood in the interior, and that it is largely used for intercommunication, even between members of widely separated Kenyah communities whose dialects have diverged so widely that their own language no longer forms a medium of communication between them; whereas the Kayans themselves do not trouble to acquire familiarity with the Kenyah or Klemantan languages.
Generally speaking, the true Klemantan designs are quite simple, and it is noteworthy that although the Kenyah tribes most nearly akin to Kayans have borrowed the Kayan tatu patterns, the majority of Kenyah and Klemantan tribes employ quite simple designs, whilst the primitive Kenyahs of the Batang Kayan river hardly tatu at all.
The essential features of the designs are spirals and portions of intersecting circles; the intersecting circles are frequently to be met with in the decorative art of Kenyahs, E.G. on the back of sword-handles, round the top of posts, on carved bamboos, etc., and in these cases the design is supposed to be a representation of the open fruit of a species of mango, MANGIFERA SP. It is not improbable that the design had the same significance amongst the Long Utan, for we have met with one or two representations of the same fruit amongst other Klemantan tribes.
A third group of Klemantan tribes such as the Long Kiputs, the Batu Blah, and the Trings, scattered through the northern part of the island, resemble more nearly the Muruts; and among these are found communities whose culture marks them as descendants of nomads who have assimilated the Murut culture in various degrees. The Muruts
The hair is attached by forcing the ends of the tufts into narrow slits in the soft wood and securing it with fresh resin. The Klemantan shields are, in the main, variations on the Kenyah patterns.
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