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Updated: June 20, 2025
On returning to the spot in the evening, he was surprised to find a small but neat lodge built in the place where he had left his bundle; and on looking in he beheld a beautiful female, sitting on the further side of the lodge, with his bundle lying beside her. During the day Iena had so far prospered in his sport as to kill a deer, which he now cast down at the lodge door.
In the "Journal inedit" of Baron Gourgaud when speaking of an interview with the Queen of Prussia after the battle of Iena he expresses himself in the following terms: "She received me in tragic fashion like Chimene: Justice! Sire, Justice! Magdeburg! Thus she continued in a way most embarrassing to me. Finally, to make her change her style, I requested her to take a seat.
In France there is not an audience that is not prohibited from giving marks of approval or disapproval. Otherwise, there is not an audience that would not turn orator. At the Iena bridge Marmus had a pain in the stomach. He heard the hoarse voice of a cab driver. Marmus thought that he was ill and let himself be ushered into the cab. He made himself comfortable in it.
A specimen slip might run thus "To Hospital 32, avenue de Iéna, Paul Chaubard, red barraque, Jules Adamy, green barraque, and Alphonse Fort, ochre barraque."
She arose and came out toward the deer which he had deposited at the door, and he immediately went into the lodge and sat by the fire, as he was weary with the day's hunt, which had carried him far away. The woman did not return, and wondering at her delay, Iena at last arose, and peeping through the door of the lodge, beheld her greedily eating all the fat of the deer.
There is a treatise in Italian, 'Delle Passioni'; there are long dialogues, such as 'Le Philosophe et le Theologien', and 'Reve': 'Dieu-Moi'; there is the 'Songe d'un Quart d'Heure', divided into minutes; there is the very lengthy criticism of 'Bernardin de Saint-Pierre'; there is the 'Confutation d'une Censure indiscrate qu'on lit dans la Gazette de Iena, 19 Juin 1789'; with another large manuscript, unfortunately imperfect, first called 'L'Insulte', and then 'Placet au Public', dated 'Dux, this 2nd March, 1790, referring to the same criticism on the 'Icosameron' and the 'Fuite des Prisons.
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