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"Now, how much more does painting say which shows you that storm altogether with the thunder, lightning, waves, vessels, and reefs, and you see: omniaque viris ostentant praesentem mortem, and in the same place: ex-templo Aeneas tendens ad sidera palmas and tres Eurus abreptas in saxa latentia torquet emissamque hyemem sensit Neptunus et imis, and likewise it shows very present and visibly all the burning of the city, in every part, represented and seen as if it were really true; on one side those who run through the streets and squares, on the other those who jump from the walls and towers; here the temples half demolished and the reflection of the flames in the rivers, and the surrounded shores illuminated; how Pantheus as he runs away limping with his idols, leading his grandchild by the hand; how the Trojan horse gives birth in the centre of a great square to armed men; how Neptune, very wrath, throws down the walls; how Pyrrhus beheads Priam; Æneas with his father on his shoulders, and Ascanius and Creusa who follow him in the darkness of night, full of fear; and all this so present and so connected and natural that very often you are moved to think that you are not safe before it, and you are glad to know they are only colours and that they cannot inspire or do harm.

Hist. Metaballousi gar ek ton Skythikon eis ta helae ta ano taes Aigyptou, othen ho Neilos rhei. Esti de ho topos outos peri on hoi pigmaioi katoikousin; ou gar esti touto mythos, all' esti kata taen alaetheian. Tam ab Autumnali Æquinoctio ex Ponto, Locisque frigidis fugiunt Hyemem futuram.