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Tatsu's eyes, even as he ate, roamed ever along the corridors of the house, out to the garden, and pried at the closed edges of the fusuma. This restlessness brought to the host new apprehension. Such tension could not last. Tatsu must be enticed from the house.

The fusuma of the oshiire and zendana were of white paper only, but had been decorated with large Chinese characters exquisitely written, characters suggesting, according to the law of such decoration, the favourite themes of the poet and artist: Spring Flowers, Mountain and Sea, Summer Rain, Sky and Stars, Autumn Moon, River Water, Autumn Breeze.

All such things are neatly folded up and stowed out of sight by day in alcoves contrived in the wall and closed with fusuma pretty sliding screen doors covered with opaque paper usually decorated with dainty designs. There also are kept those curious wooden pillows, invented to preserve the Japanese coiffure from becoming disarranged during sleep.

A moment later he had finished his meal, and rose to go. Kano moved restlessly on the mats. He drew out the solace of a little pipe, but his nervous fingers fumbled and shook so, that the slim rod of bamboo tipped with silver escaped him, and went clattering down among the empty dishes of the tray. Mata's apprehensive face showed instantly at a parting of the kitchen fusuma.

They were given Umè's chamber near which the plum tree grew, an adjoining room having been previously fitted up for Tatsu's painting. As in the other cottage, inviting rectangles of silk, already stretched and sized, stood in blank rows against the walls. Even the fusuma were of new paper, offering, it would seem, to any inspired young artist, a surface of alluring possibilities.

Mata heard the fusuma close gently, the nurse's voice give admonition to "keep his spirit strong for this last stress," heard old Kano falter, "Farewell, my son, no one shall disturb you in these rooms," and had barely time to regain her presence of mind as the two men, Kano and the nurse, entered her kitchen.