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Updated: May 28, 2025


The beautiful F-minor chorus, "We hid our faces from him," furnishes the musical comment upon the statement that "the disciples all forsook him and fled." The second theme, "He was brought as a lamb to the slaughter, yet he opened not his mouth," is quite Handel-like in the simplicity and massiveness of its magnificent harmonic progressions.

James Huneker has not extravagantly called "the most marked contribution to solo sonata literature since Brahms' F-minor piano sonata"; yet it is not so fine a work as any one of the three sonatas which MacDowell afterward wrote.

In his bridegroom mood he composed the graceful F-minor Waltz, and later the C-sharp minor Nocturne. In the meantime, Slovaki travelled on in blissful ignorance, glorifying Chopin's fiancée in poetic songs full of passionate admiration. The distant Slovaki finally learned that Chopin had won his muse, and he wrote to his mother: "They say that Chopin and 'my Maria' are to be a pair.

She was about to answer, when a man came to her and led her to the piano, and the first thing Schumann knew the shapely little hands struck into Beethoven's F-minor Sonata and played it through with a firm, sure touch and fine musical feeling. No wonder she had smiled at his question. "Was I right in calling her a Musical fairy'?" asked Frau Carus of Schumann.

"Clara Wieck and Beethoven's F-minor Sonata." It tells how a magician, weary of life, locked all his charms in a shrine, threw the key into the sea, and died. In vain men tried to force open the shrine.

But in the end she did attend, seating herself, for the first time in her life, in the F-minor, the perfumed twilight of the Metropolitan Opera House, just as the velvet curtains swished sibilantly apart.

He improvised in Paris on themes she composed, and then she repeated his inspirations to keep Slovaki hovering at her piano. When Chopin met the Wodzinskis in Dresden, he composed for Maria his F-minor Étude which he called "the soul-portrait" of the comtesse. A year later he passed a month with the family at Marienbad, where he proposed for her hand and was accepted.

In Weimar she played for Goethe, the great poet himself getting a cushion for her and placing it on the piano stool in order that she might sit high enough; and not only praising her playing, but also presenting her with his likeness in a medallion. The poet Grillparzer, after hearing her play in Vienna Beethoven's F-minor Sonata, wrote a delightful poem.

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