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Updated: September 4, 2025
In 1847 Wagner was willing to look at the hero of the quest of the Holy Grail whom we call Percival through the eyes of his later guide, Wolfram von Eschenbach.
There are, not one, but two, disabled kings; one suffering from the effects of a wound, the other in extreme old age. Chretien's poem being incomplete we do not know what he intended to be the result of the achieved Quest, but we may I think reasonably conclude that the wounded King at least was healed. The Parzival of von Eschenbach follows the same tradition, but is happily complete.
Readers interested in the legend of the Graal will recall that the Graal is represented as a green stone in the "Parzival" of Von Eschenbach. "Adamantos" is "diamond." Here and in the account of the Monad as the Metropolis of Monogenes, "filled with men of every race and with all the statues of the king," there is a curious parallel to be found to a happening in the life of Saint Theresa.
Daniel took Eleanore through the village and out to the old town gate. It was the time of the annual fair; Eschenbach was crowded. They returned on this account to the more quiet streets, and finally entered the church. The sexton came up and admitted Daniel to the choir.
She also took the practical side of the matter into careful consideration: Meta would have no trouble in making her living in Eschenbach; she could help Daniel’s mother, or she could do day work among the peasants.
It was all too general and therefore unsatisfactory. “What was there in Eschenbach? Why did you go there?” she asked boldly. He was in error concerning the hot desire that burned in her eyes to know about Eschenbach. Her question made him feel good; he believed that he was on the scent of warm-heartedness; he thought he had found a soul that was eager to help through knowledge.
I had intended to follow the easy-going mode of life which is a necessary part of this somewhat trying treatment, and had selected my books with care, taking with me the poems of Wolfram von Eschenbach, edited by Simrock and San Marte, as well as the anonymous epic Lohengrin, with its lengthy introduction by Gorres.
In the Welsh tale of Peredur and the French romances the question went only to the meaning of the talismans; but this did not suffice Wolfram von Eschenbach, who in many ways raised the ethical standard of the Grail legend.
The version used by Wagner is supposed to be told by Wolfram von Eschenbach, the Minnesinger, at one of the Wartburg contests, and is in substance as follows: Henry I., King of Germany, known as "the Fowler," arrives at Antwerp for the purpose of raising a force to help him expel the Hungarians, who are threatening his dominions. He finds Brabant in a condition of anarchy.
However this may be, the duke gave ear, To the ill counsel of his friends in arms; And with the noble lords, von Eschenbach, Von Tegerfeld, von Wart, and Palm, resolved, Since his demands for justice were despised, With his own hands to take revenge at least. FURST. But say, how compassed he the dreadful deed?
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