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He offered up for his sin the dreams of his youth when he first believed that his moral nature was stained and became as a result, as even the elder feels uneasily, an over obedient son. One thinks of Eisener's panegyric: "Before her clear look confusion cannot exist, the coarse word of insolence sinks back unspoken into the shame filled breast.
Therefore the memory of the highly honored mother is awakened not only through Maria, the pure one, but also through Julie, who comes into contact with his sensual desire and the unclean childish phantasies slumbering in the last analysis behind this. It is interesting how strikingly the poet is able to point out that double emotion in Eisener's soul.
To be sure when "the slender Maria stood like a holy picture behind Julie, the alluring child of the world with all her seductive graces sank low in value in contrast to the former. He felt the need to be open with himself." Transparency was a necessity to him from his youth, as an inheritance from his wise mother. "Then Breitung thrust with his glass against Eisener's refilled one.
We must keep in mind her unconscious wish, to climb into the bed of the man she loves, and on the other hand that Maria as housemother knew well that he was not sleeping alone, but with his friend, so only a compromise form of action would be possible. So she goes up again to her childhood room, which lies in the same direction as Eisener's sleeping room.
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