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Updated: June 19, 2025
Then he whirled her to a mirror and said: "Look like that, and you're a made woman." She was startled by the vivacity, the authority she saw in her features so long dispirited. She caught the trick of the expression. And actors know that one's expression can control one's moods almost as much as one's moods control one's expressions. So she persuaded Dutilh to sell her the dress.
On the first day the gown had thrilled her to a collaboration with it. Now she hardly stood up in it. She drooped with exaggerated awkwardness, shrugged her shoulders with sarcasm, and made a face of disgust. Dutilh tried to mask his disappointment with anger. When Charity groaned, "Aren't we awful this dress and I?" he retorted: "You are, but don't blame the gown.
Annoyed by these conversational harrowers, Charity had finally gone to her dressmaker, Dutilh, and asked him to save her from vegetation! He saw that she was a young woman in sore need of a compliment, and he flattered her lavishly. He did more for her improvement in five minutes than six doctors, seventeen clergymen, and thirty financiers could have done.
If women or their husbands could afford it, they would find perhaps more consolation, restoration, and exaltation at the dressmakers' than at it would be sacrilege to say where. By the time Charity's new gown was ready for the last fitting Charity had lost her start, and when Dutilh went into the room where she had dressed he was aghast at the difference.
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