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Updated: June 7, 2025
I swear eternal gratitude, and to be as submissive to you as a good daughter ought to be." The religion and philosophy with which her heart and mind were fortified, though she made no parade of either, began to calm her spirit, and she proceeded to make some reflections on Croce's unhappy lot, but all in pity not in anger, excusing his inveterate passion for play.
There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow.
There is that truth in Croce's theory. Our perception of beauty does depend upon the intensity of our perception of excellence. But that intensity of perception remains perception, and does not make what it perceives.
But he already knew the beautiful Caroline Bonaparte, whom he had seen at Rome in the residence of her brother Joseph, who was then discharging the functions of ambassador of the Republic. It appears that Caroline was not even indifferent to him, and that he was the successful rival of the Princess Santa Croce's son, who eagerly sought the honour of her hand.
Such bits of testimony from painters help us to understand the brief sayings of the critics, like Taine's well-known "Art is nature seen through a temperament," G. L. Raymond's "Art is nature made human," and Croce's "Art is the expression of impressions." These painters and critics agree, evidently, that the mind of the artist is an organism which acts as a "transformer."
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