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A note from the baroness told Madame Aubain that as her husband had been promoted to a prefecture, they were leaving that night, and she begged her to accept the bird as a remembrance and a token of her esteem. Since a long time the parrot had been on Felicite's mind, because he came from America, which reminded her of Victor, and she had approached the negro on the subject.

Felicite dropped on a chair, leaned her head against the back, and closed her lids; presently they grew pink. Then, with drooping head, inert hands and staring eyes she repeated at intervals: "Poor little chap! poor little chap!" Liebard watched her and sighed. Madame Aubain was trembling. She proposed to the girl to go to see her sister in Trouville.

A few days afterward a new sub-prefect was nominated, the Baron de Larsonnière, ex-consul in America, who, besides his wife, had his sister-in-law and her three grown daughters with him. They were often seen on their lawn, dressed in loose blouses, and they had a parrot and a negro servant. Madame Aubain received a call, which she returned promptly.

Felicite would invariably thwart their ruses and they held her in great respect. At various times, Madame Aubain received a visit from the Marquis de Gremanville, one of her uncles, who was ruined and lived at Falaise on the remainder of his estates. He always came at dinner-time and brought an ugly poodle with him, whose paws soiled their furniture.

The three candles on the bureau made red blurs, and the windows were dimmed by the fog outside. The nuns carried Madame Aubain from the room. For two nights, Félicité never left the corpse. She would repeat the same prayers, sprinkle holy water over the sheets, get up, come back to the bed and contemplate the body.

Félicité carried this sort of respect so far that she even kept one of Monsieur's old coats. All the things which Madame Aubain discarded, Félicité begged for her own room. Thus, she had artificial flowers on the edge of the bureau, and the picture of the Comte d'Artois in the recess of the window. By means of a board, Loulou was set on a portion of the chimney which advanced into the room.