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Her son, the Emperor Shomu, married another daughter of the same Fujiwara Fuhito by a different mother; that is to say, he took for consort his own mother's half-sister, Asuka. This lady, Asuka, laboured under the same disadvantage of lineage and could not properly be recognized as Empress.

A proclamation was issued promising capital punishment to any one, of whatever rank or position, who compassed the death or injury of another by spells or incantations, and, six months later, the lady Asuka was formally proclaimed Empress. In one respect the Fujiwara conspirators showed themselves clumsy.

This custom of dismembering and distributing the remains was practised in Korea until the time, at the close of the nineteenth century, when the peninsula came under Japanese protection. It was never customary in Japan. The o-omi, Umako, also erected a temple called Hoko-ji in Asuka near Kara.

The lady Asuka bore a son to the Emperor three years after his accession. His Majesty was profoundly pleased. He caused a general amnesty to be proclaimed, presented gratuities to officials, and granted gifts to all children born on the same day. When only two months old, the child was created Prince Imperial, but in his eleventh month he fell ill.

It is necessary to note these details for they constitute the preface to a remarkable page of Japanese history. Of Fujiwara Fuhito's two daughters, one, Higami, was the mother of the reigning Emperor, Shomu, and the other, Asuka, was his consort.

The blood relationship of the Fujiwara family to the Court could scarcely have been more marked, but its public recognition was impeded by the defect in the family's lineage. The Emperor also desired to raise his consort, Asuka, to the position of Empress. Consulting his ministers on the subject, he encountered opposition from Prince Nagaya, minister of the Left.

The annals show that when the Empress Kogyoku built the Asuka palace, timber was obtained from several provinces; labour was requisitioned throughout a district extending from Omi in the east to Aki in the west; the floor of the "great hall" was paved with tiles; there were twelve gates, three on each of the four sides, and the whole was in the architectural style of the Tang dynasty.

But the Fujiwara genius rose superior to all vicissitudes. The elevation of the lady Asuka to be Empress Komyo marks an epoch in Japanese history.