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His technical skill is said to have been surpassed by others; but that in which he stands alone is, that in these exercises of imitative art he is able to remain himself, and to give utterance to genuine passion. Artificial Arcadianism is as much the frame-work of the elegy on Diodati as it is of Lycidas.

While finding in Sidney's style the same historical importance as in Lyly's, we cannot but recognize that in itself Arcadianism was little if at all better than Euphuism.

Arcadianism, which was thus only a side-issue for Rousseau, was the extreme expression of tendencies which appear in the speculations of other thinkers of the day. Morelly and Mably argued in favour of a reversion to simpler forms of life. They contemplated the foundation of socialistic communities by reviving institutions and practices which belonged to a past period of social evolution.

Thus Aeglamour, in so far as it is possible to form an opinion, keeps too much of the artificial Arcadianism of the Italians about him, and is hardly of a piece with the rest of the personae.

Thus it would appear that, for their essential elements, Euphuism and Arcadianism, though distinct, alike sought their models, direct or indirect, in the Spanish literature of the day. Almost any passage, chosen at random, will illustrate Sidney's style.

They are manifold and diverse, and they are moreover intensified by the spectacle of extravagance offered by the profiteering class and the licence of social life. The traditional garden-city idyll of architects and art-craftsmen is a Utopia about as much like reality as the pastoral Arcadianism of Marie Antoinette. All things of common use are standardized into typical forms.

Saint-Pierre's idea of perpetual peace inspired an early essay on the scourge of war. The theories of Rousseau exercised at first an irresistible attraction, but modern civilisation had too strong a hold on him; he was too Parisian in temper to acquiesce for long in the doctrine of Arcadianism.

Lastly, we found Jonson cutting himself almost entirely adrift from the tradition of Italian Arcadianism, and seeking to create an essentially national pastoral by the combination of shepherd lads and girls, transmuted from actuality by a natural process of refinement akin to that of Theocritus, with the magic and fairy lore of popular fancy, and with the characters of Robin and Marian and all the essentially English tradition of Sherwood.