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People settle in their seats as if certain that a song recital by Werrenrath is sure to bring enjoyment and satisfaction. And Mr.
Werrenrath has proven, through season after season of concert giving in America, that he is filling his own special niche in the scheme of the country's musical life; that he has his own message of the beautiful the natural in vocal art to deliver to the people all over the land, and he is accomplishing this with ever increasing ability and success.
The trill is taken on each tone of the voice, in major seconds." Werrenrath: "I do a lot of gymnastics each day, to exercise the voice and limber up the anatomy. These act as a massage for the voice; they are in the nature of humming, mingled with grunts, calls, exclamations, shouts, and many kinds of sounds.
Homer: "The singer must master all difficulties of technic, of tone production in order to be able to express the thought of the composer, and the meaning of the music." Werrenrath: "I can answer the question in one word Disregard.
Werrenrath is the sort of singer who is generally on the wing, or if not exactly that, is so rushed with work, record making and rehearsing for occasional opera appearances, that it is very difficult to get a word with him. I was exceedingly fortunate however, one day recently, to catch a glimpse of him between a Metropolitan rehearsal on the one hand, and some concert business on the other.
At the close of a recital by Reinald Werrenrath, the listener feels he has something to carry away, a tangible impression, a real message. What is the impression can it be defined? Perhaps it is more the complete effect as a whole that makes the deepest impression.
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