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Updated: May 19, 2025
And so he used to call in a worthy portrait-painter, by the name of Franck, to assist him whenever he had a canvas on the easel that demanded the human form. Then when Franck wanted background and perspective, Verhaecht would go over with a brush and a few pots of paint and help him out.
The word "landscape" is Flemish, and it was the Dutch who carried the term and the art into England. Verhaecht was among the very first of landscape-painters. He was a specialist: he could draw trees and clouds, and a winding river, but could not portray faces.
At fifteen, the keen, intuitive mind of Rubens had fathomed the talents of those two worthies, Verhaecht and Franck. His mind was essentially feminine: he absorbed ideas in the mass. Soon he prided himself on being able to paint alone as good a picture as the two collaborators could together. Yet he was too wise to affront them by the boast.
He painted it in 1786, half a dozen years before his death, and it now hangs in Chatsworth, the home of the present Duke of Devonshire. Other well known Reynolds paintings are "The Hon. Ann Bingham," "The Countess of Spencer," the "Nieces of Sir Horace Walpole," and the "Angels' Heads" in the National Gallery. Flemish School 1577-1640 Pupil of Tobias Verhaecht
The boy entered into the project, and the mother's ambition that he should retrieve his father's fortune fired his heart. Thus does the failure in life of a parent often give incentive to the genius of a son. Tobias Verhaecht was the man who taught Rubens the elements of drawing, and inculcated in him that love of Nature which was to be his lifelong heritage.
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