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Updated: June 2, 2025
In the gable is a traceried rose, above which is an elaborate cornice with beasts' heads projecting at the angles, shell niches, and floral finial, and at the meeting-point of the ramps a bust of an elderly woman in the costume of the fourteenth century, with hair in curls at each side of the face, a jewelled circlet, pleated gown with tightly fitting sleeves slashed and embroidered, and a border round the neck above a laced under-garment.
But it requires something more than a tower in the centre of the front to give a true finish to a composition in which there runs at the top a single horizontal line from north to south. Richly traceried windows are not sufficient. Deeply recessed doorways are better; but here there was only one, of the nature of which we have no account. The great porch is exactly what was wanted.
The count lies, armed, with a sword drawn in his right hand, on an altar-tomb on whose front, between richly traceried panels, are carved an inscription above, upheld by small figures, and below, in the middle a flaming cresset, probably a memorial of his watchfulness in Africa, and on each side a shield.
In this transept is the altar of St. Romain, a seventeenth-century work of little pretensions. The north transept contains two features which give it immediate precedence over any other, when viewed from within: its gracefully traceried rose window and fine glass, and the delightful stone staircase leading to the chapter library. Mere description cannot do this stairway justice.
So far all might be French, but on examining the detail, a great deal of it is found to be not French but English: the half octagonal corbels with their panelled and traceried sides, and still more the strips of panelling on the jambs with their arched heads, are quite English and might be found in almost any early perpendicular reredos or tomb, nor are the larger canopies quite French.
First a small rose window, recently renewed, of the same date and type as that in the presbytery gable, was inserted under the earlier narrow window close to the gable point; then the original east window was removed, and a larger one was put in, having three lights and a traceried head with cusped work of late fourteenth-or early fifteenth-century work.
Hence the two traceried windows lower than the rest, and to the right of the spectator, may be conveniently distinguished as the "Eastern Windows." There are two others like them, filled with tracery, and at the same level, which look upon the narrow canal between the Ponte della Paglia and the Bridge of Sighs: these we may conveniently call the "Canal Windows."
Tess listlessly lent a hand, and in a quarter of an hour the old four-post bedstead was dissociated from the heap of goods, and erected under the south wall of the church, the part of the building known as the d'Urberville Aisle, beneath which the huge vaults lay. Over the tester of the bedstead was a beautiful traceried window, of many lights, its date being the fifteenth century.
Every Gothic traceried window, with straight and vertical mullions in the rectangle, losing themselves in the intricate foliations of the arch, celebrates the marriage of this ever diverse pair.
Through the traceried windows of the chancel of the church, the evening light on the opposite side of the rock glows through the green glass, for from this position the upper windows are opposite to one another and the light passes right through the building.
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