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Updated: May 23, 2025
People leaned out of the windows, like theatregoers at a play. The light illuminated the red and white bars of the ensign, upheld by the standard bearer of the regiment, the smaller flags flaunted by the strikers each side clinging hardily to the emblem of human liberty.
Again there are more theatres and more theatregoers to the population than can probably be found elsewhere. The houses and the performances are alike admirable. Like the Americans, the Australians endure many performances which would not be thought tolerable in England, but they mount their productions with great pomp and luxury.
Miss Marlowe's Rosalind, somewhat along the same lines as Miss Anderson's, and Miss Crosman's, a hoydenish, tomboy sort of creature, first cousin to Mistress Nell and the young lady of The Amazons, should be familiar to theatregoers of the last two decades. Last Monday evening Margaret Anglin exposed her version of the comedy.
Later I equipped myself with a guide not a professional guide, but a man of means and of easy morals, a young barrister in whose family were R. A.'s, M. P.'s and K. C.'s. "Shall we see it all?" asked Leonard. "All," I replied. "From the high to the low." We set forth. It was eleven o'clock, and the theatregoers were swarming in the Strand. We were heading for a great arch of incandescent light.
People leaned out of the windows, like theatregoers at a play. The light illuminated the red and white bars of the ensign, upheld by the standard bearer of the regiment, the smaller flags flaunted by the strikers each side clinging hardily to the emblem of human liberty.
The cable cars trundled by, loaded with theatregoers. The barbers were just closing their shops. The candy store on the corner was brilliantly lighted and was filling up, while the green and yellow lamps from the drug store directly opposite threw kaleidoscopic reflections deep down into the shining surface of the asphalt. A band of Salvationists began to play and pray in front of Frenna's saloon.
They are not theatregoers in the proper sense, but social aspirants, and the boxes and stalls are for them an arena in which for a price they can show themselves in their finery and attractions, for lack of other opportunities. Our theatres are now in the full blaze of this harmless appropriation for quasi-ballroom uses. At the time when Selma was a New York bride the movement was in its infancy.
People leaned out of the windows, like theatregoers at a play. The light illuminated the red and white bars of the ensign, upheld by the standard bearer of the regiment, the smaller flags flaunted by the strikers each side clinging hardily to the emblem of human liberty.
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