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Besides these they have the diphthongs ai, nearly equivalent to e, and au, nearly equivalent to o. The vowels i and u have also the powers, respectively, of y and v. From these sounds, combined with the simple vowels, comes the Assyrian syllabarium, to which, and not to the consonants themselves, the characters were assigned.
If this plan were followed out to the utmost possible extent, the result would be an addition to the syllabarium of seven hundred and sixty-eight sounds, each having its proper character, which would raise the number of characters to between eight and nine hundred!
Discarding then the Assyrian notion of a syllabarium, with the enormous complication which it involves, the Medes strove to reduce sounds to their ultimate elements, and to represent these last alone by symbols. Had they stopped here, their characters should have been but twenty-four, the number which is found in Greek.
The powerful impression produced by the acquisition of the treasure of letters on those who received them, and the vividness with which they realized the power that slumbered in those humble signs, are illustrated by a remarkable vase from a sepulchral chamber of Caere built before the invention of the arch, which exhibits the old Greek model alphabet as it came to Etruria, and also an Etruscan syllabarium formed from it, which may be compared to that of Palamedes evidently a sacred relic of the introduction and acclimatization of alphabetic writing in Etruria.
The attempt to show its presence in the syllabarium of the latter is at any rate mistaken, for the syllabarium can and does only take notice of the Etruscan letters that were afterwards in common use, and to these the koppa notoriously did not belong; moreover the sign placed at the close cannot well from its position have any other value than that of the -f, which was in fact the last letter in the Etruscan alphabet, and which could not be omitted in a syllabarium exhibiting the variations of that alphabet from its model.
But that West-Etruscan reform of the alphabet was not merely as old as the oldest tombs found in Etruria; it was considerably older, for the syllabarium just mentioned as found probably in one of these tombs already presents the reformed alphabet in an essentially modified and modernized shape; and, as the reformed alphabet itself is relatively recent as compared with the primitive one, the mind almost fails in the effort to reach back to the time when that alphabet came to Italy.
The sounds regarded as capable of only one combination are the mediae, b, q, d; the aspirates kh, tj; and the sibilants ts and z. Such is the first and simplest syllabarium: but the Assyrian system does not stop here. It proceeds to combine with each simple vowel sound two consonants, one preceding the vowel and the other following it.
The attempt to show its presence in the syllabarium of the latter is at any rate mistaken, for the syllabarium can and does only take notice of the Etruscan letters that were afterwards in common use, and to these the koppa notoriously did not belong; moreover the sign placed at the close cannot well from its position have any other value than that of the -f, which was in fact the last letter in the Etruscan alphabet, and which could not be omitted in a syllabarium exhibiting the variations of that alphabet from its model.
But that West-Etruscan reform of the alphabet was not merely as old as the oldest tombs found in Etruria; it was considerably older, for the syllabarium just mentioned as found probably in one of these tombs already presents the reformed alphabet in an essentially modified and modernized shape; and, as the reformed alphabet itself is relatively recent as compared with the primitive one, the mind almost fails in the effort to reach back to the time when that alphabet came to Italy.
The powerful impression produced by the acquisition of the treasure of letters on those who received them, and the vividness with which they realized the power that slumbered in those humble signs, are illustrated by a remarkable vase from a sepulchral chamber of Caere built before the invention of the arch, which exhibits the old Greek model alphabet as it came to Etruria, and also an Etruscan syllabarium formed from it, which may be compared to that of Palamedes evidently a sacred relic of the introduction and acclimatization of alphabetic writing in Etruria.
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