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Updated: June 17, 2025
Now and then one or another of the blind keepers of the camp will come across to where you sit gossiping, tapping her way among the kitchen middens, guided by your voice that carries far in the clearness and stillness of mesa afternoons. But suppose you find Seyavi retired into the privacy of her blanket, you will get nothing for that day. There is no other privacy possible in a campoodie.
She had fed her young son with meadowlarks' tongues, to make him quick of speech; but in late years was loath to admit it, though she had come through the period of unfaith in the lore of the clan with a fine appreciation of its beauty and significance. "What good will your dead get, Seyavi, of the baskets you burn?" said I, coveting them for my own collection.
The weaver and the warp lived next to the earth and were saturated with the same elements. Twice a year, in the time of white butterflies and again when young quail ran neck and neck in the chaparral, Seyavi cut willows for basketry by the creek where it wound toward the river against the sun and sucking winds.
It might have begun earlier, in the time Seyavi of the campoodie tells of, when antelope ran on the mesa like sheep for numbers, but scarcely any foot-high herb rears itself except from the midst of some stout twigged shrub; larkspur in the coleogyne, and for every spinosa the purpling coils of phacelia.
Before Seyavi made baskets for the satisfaction of desire, for that is a house-bred theory of art that makes anything more of it, she danced and dressed her hair. In those days, when the spring was at flood and the blood pricked to the mating fever, the maids chose their flowers, wreathed themselves, and danced in the twilights, young desire crying out to young desire.
Naboth expects to make town lots of it and his fortune in one and the same day; but when I take the trail to talk with old Seyavi at the campoodie, it occurs to me that though the field may serve a good turn in those days it will hardly be happier. No, certainly not happier.
They sang what the heart prompted, what the flower expressed, what boded in the mating weather. "And what flower did you wear, Seyavi?" "I am the white flower of twining, Little white flower by the river, Oh, flower that twines close by the river; Oh, trembling flower! So trembles the maiden heart."
Not that she doe's not make all kinds, carriers, water-bottles, and cradles, these are kitchen ware, but her works of art are all of the same piece. Seyavi made flaring, flat-bottomed bowls, cooking pots really, when cooking was done by dropping hot stones into water-tight food baskets, and for decoration a design in colored bark of the procession of plumed crests of the valley quail.
The weaver and the warp lived next to the earth and were saturated with the same elements. Twice a year, in the time of white butterflies and again when young quail ran neck and neck in the chaparral, Seyavi cut willows for basketry by the creek where it wound toward the river against the sun and sucking winds.
Since the time of Seyavi the deer have shifted their feeding ground across the valley at the beginning of deep snows, by way of the Black Rock, fording the river at Charley's Butte, and making straight for the mouth of the canon that is the easiest going to the winter pastures on Waban.
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