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Updated: May 9, 2025
He was glad to observe that for some time M. Violette had interested himself more in him, and had resisted his baneful habit somewhat. The young man offered no resistance. The next day at noon he presented himself at the Rue Servandoni, accompanied by his father. The "dealer in pious goods" received them with great good-humor. He had just come from high mass and was about to sit down at the table.
When M. Gillenormand lived in the Rue Servandoni, he had frequented many very good and very aristocratic salons. Although a bourgeois, M. Gillenormand was received in society. As he had a double measure of wit, in the first place, that which was born with him, and secondly, that which was attributed to him, he was even sought out and made much of.
The famous theatrical architect Servandoni was commissioned to design an elaborate entertainment of fireworks on a colossal scale to be let off in the Green Park, accompanied by the music of Handel. The Fireworks Music was scored for fifty-six wind instruments.
Michael would have liked to stay for ever where he was, in Paris with Jules Réveillaud, in the Rue Servandoni. And because his conscience kept on telling him that he would be a coward and a blackguard if he stayed in Paris, he wrenched himself away. In the train, going into Germany, he read Réveillaud's "Poèmes" and the "Poèmes" of the young men who followed him.
At last it occupied the principal part of the house and all the out-buildings of an old hotel on the Rue Servandoni, constructed in the pompous and magnificent style of the latter part of the seventeenth century. He did a great business there.
Instead of waiting for the final benediction and then going to take his usual walk, he left his church warden's stall and returned unexpectedly to the Rue Servandoni, where he surprised Berenice in a loving interview with her military friend. The old man's rage was pitiful to behold.
One by one a Flemish girl, an Alsatian, three Nivernaise, two from Picardy; even a young girl from Beauce, hired on account of her certificate as "the best-behaved girl in the village" they were unsparingly devoured by the minotaur of the Rue Servandoni. All were turned out of doors, with a conscientious blow in the face, by the justly irritated spouse.
At last it occupied the principal part of the house and all the out-buildings of an old hotel on the Rue Servandoni, constructed in the pompous and magnificent style of the latter part of the seventeenth century. He did a great business there.
The pseudo-classic church of St. Sulpice, begun in 1665 and not completed until 1777, is a monument of the degraded taste of this unhappy time. At least three architects, Gamart, Levau and the Italian Servandoni, are responsible for this monstrous pile, whose towers have been aptly compared by Victor Hugo to two huge clarionets.
Genevieve, dedicated by Louis XV. to the commemoration of his recovery at Metz, and destined, from the majestic simplicity of its lines, to the doubtful honor of becoming the Pantheon of the revolution; Servandoni had died a short time since, leaving to the church of St. Sulpice the care of preserving his memory; everywhere were rising charming mansions imitated from the palaces of Rome.
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