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He was moved to write a number of patriotic songs from Koerner's "Leier und Schwert." These choruses for men were sung throughout the Fatherland, as they still are sung.

Du Land des Ruhmes, Weih' zu deines Heiligthumes Hutern, uns and unser Schwert." There were other songs, too. And some wonderful quality in the German's voice gave you a thrill when you heard them, albeit you could not understand the words. Richter never guessed how Stephen, with his eyes on his book, used to drink in those airs. And presently he found out that they were inspired.

"You know his father, the Bishop of H ? Such a dear little trotty old man, with the kind of rosy, withered-apple face that suggests a dear little trotty old woman, disguised in an episcopal apron and gaiters, and with funny little bits of white fur glued on here and there for whiskers and eyebrows. We met him with Mrs. Fraithorn at the Hôtel Schwert at Appenbad one June. Do you know Appenbad?

Der alte Urstand der Natur kehrt wieder, Wo Mensch dem Menschen gegenuebersteht; Zum letzten Mittel, wenn kein andres mehr Verfangen will, ist ihm das Schwert gegeben. 'William Tell'.

Du Land des Ruhmes, Weih' zu deines Heiligthumes Hutern, uns and unser Schwert." There were other songs, too. And some wonderful quality in the German's voice gave you a thrill when you heard them, albeit you could not understand the words. Richter never guessed how Stephen, with his eyes on his book, used to drink in those airs. And presently he found out that they were inspired.

Some scholarly studies of researchers such as Stephen LeRoy and Richard Porter offer support other, no less weighty, scholarship by the likes of Eugene Fama, Kenneth French, James Poterba, Allan Kleidon, and William Schwert negate it mainly by attacking Shiller's underlying assumptions and simplifications.

Several of his pieces had recently met with great success: Zopf und Schwert, Das Urbild des Tartuffe, and Uriel Acosta, shed an unexpected lustre on the latest dramatic repertoire, and it seemed as though the advent of Gutzkow would inaugurate a new era of glory for the Dresden theatre, where my operas had also been first produced. The good intentions of the management were certainly undeniable.

Du Land des Ruhmes, Weih' zu deines Heiligthumes Hutern, uns and unser Schwert." There were other songs, too. And some wonderful quality in the German's voice gave you a thrill when you heard them, albeit you could not understand the words. Richter never guessed how Stephen, with his eyes on his book, used to drink in those airs. And presently he found out that they were inspired.