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Updated: May 10, 2025
On Easter Sunday, April 8, Handel made a triumphal appearance with La Resurrezione, which was given on a sumptuous scale, at Ruspoli's expense, in the Palazzo Bonelli, which he was occupying at the time. Corelli led the orchestra. The libretto was by Cardinal Pamphilij. It was the overture to this work which caused so much difficulty to Corelli.
"You will judge what is right to do," were Ruspoli's last words. "But do not be guided by those young scamps. They live in mischief. If you love the girl, marry her that is my advice." I have seen a valley canopied by a sky of blue and opaline, girt in by wooded heights, on which the sun poured down in mid-day splendor. A broad river sparkled downward, giving back ray for ray.
"Count Nobili," called out Franchi, from the other end of the portico, making a languid bow, "after all that I have heard, I congratulate you on your marriage most sincerely." Nobili did not hear him. All were gone. He was alone with Ruspoli. His head had dropped upon his breast. There was the shadow of a tear in Prince Ruspoli's steely eye.
It was not enough to be brushed off, for it absorbed itself and came to nothing, but it was there nevertheless. "Wall, Mario," he said, apparently unmoved, "it seems to me the club is made too hot to hold you. Come home." Nobili nodded. He was so weak he had to hang heavily on Prince Ruspoli's arm as they crossed the piazza. Prince Ruspoli did not leave him until he saw him safe to his own door.
Prince Ruspoli met her glance, but said nothing. When Nobili appeared, Prince Ruspoli, who had handed Nera to a seat near a window, bowed to her and retired. "To the devil with Nobili!" was Prince Ruspoli's thought, as he resigned her. Nobili's eyes fell instinctively to the ground as he approached Nera.
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