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Updated: June 7, 2025


I am thankful to say that Raoul Rigault has also departed this world. Courbet, Regnaud, a promising young painter, and how many shall we know of afterward, have been shot. We hear that Auber became quite crazy and wandered out on the ramparts, and was killed with the soldiers. He deserved a better fate, my dear old friend!

The newspapers state that Delescluze, Cluseret, Félix Pyat, and Ranvier have been made prisoners, but the news is not officially confirmed. Firemen have been summoned by telegraph from all the districts around Paris. Fort Bicêtre has been occupied by the troops. It is stated that Raoul Rigault was shot this morning.

My plan being fully arranged, I and Rigault set out. As soon as we arrived at our journey's end, I sought M. de La Trappe, and begged to be allowed to introduce to him a friend of mine, an officer, who much wished to see him: I added, that my friend was a stammerer, and that therefore he would be importuned merely with looks and not words.

Only a small portion of the buildings has been burnt, and work has already been resumed in the parts which have been spared. Even in those rooms which have been destroyed not all the works of art have been lost, and especially the "Dead Christ" after Philippes de Champagne, and the portrait of Louis XIV, after Rigault, have been saved. The collection of ancient patterns has also been preserved.

Rigault excusing himself on the ground of his infirmity, did little during three-quarters of an hour but keep his eyes upon M. de La Trappe, and at the end went into a room where materials were already provided for him, and covered his canvas with the images and the ideas he had filled himself with.

Rigault admitted to me that he had worked so hard to produce it from memory, that for several months afterwards he had been unable to do anything to his other portraits. Notwithstanding the thousand crowns I had paid him, he broke the engagement he had made by showing the portrait before giving it up to me.

Rigault excusing himself on the ground of his infirmity, did little during three-quarters of an hour but keep his eyes upon M. de La Trappe, and at the end went into a room where materials were already provided for him, and covered his canvas with the images and the ideas he had filled himself with.

My plan being fully arranged, I and Rigault set out. As soon as we arrived at our journey's end, I sought M. de La Trappe, and begged to be allowed to introduce to him a friend of mine, an officer, who much wished to see him: I added, that my friend was a stammerer, and that therefore he would be importuned merely with looks and not words.

Grousset and Rigault had a little conversation together, and presto! my longed-for passport lay before me to sign. No Elsa ever welcomed her Lohengrin coming out of the clouds as I did my Lohengrin coming from the mantelpiece. I signed my name quickly enough; Rigault put the official seal on it, and, rising from his chair, politely handed it to me.

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