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"She has answered you!" cried Franz. "Read." This word was pronounced in a manner impossible to describe. Franz took the letter, and read: Tuesday evening, at seven o'clock, descend from your carriage opposite the Via dei Pontefici, and follow the Roman peasant who snatches your torch from you.
He first mentions Raffaello's death, "whom may God forgive;" then says that the "garzoni" of the Urbinate are beginning to paint in oil upon the walls of the Sala de' Pontefici.
The two friends were in the Via dei Pontefici. Albert sprang out, bearing his moccoletto in his hand. Two or three masks strove to knock his moccoletto out of his hand; but Albert, a first-rate pugilist, sent them rolling in the street, one after the other, and continued his course towards the church of San Giacomo. The steps were crowded with masks, who strove to snatch each other's torches.
These pupils of the Urbinate claimed now, on their master's death, and claimed with good reason, the right to carry on his great work in the Borgian apartments of the Vatican. The Sala de' Pontefici, or the Hall of Constantine, as it is sometimes called, remained to be painted.
A spirit, almost human, speaks from the desolation, and there is something in the voiceless oracles it utters, that strikes an answering chord in my own breast. In the Via de' Pontefici, not far distant from the Borghese Palace, we saw the Mausoleum of Augustus. It is a large circular structure somewhat after the plan of that of Hadrian, but on a much smaller scale.
Their original stronghold in Rome was almost on the site of their present palace, being then situated on the opposite side of the Basilica of the Santi Apostoli, where the headquarters of the Dominicans now are, and running upwards and backwards, thence, to the Piazza della Pilotta; but they held Rome by a chain of towers and fortifications, from the Quirinal to the Mausoleum of Augustus, now hidden among the later buildings, between the Corso, the Tiber, the Via de' Pontefici and the Via de' Schiavoni.
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