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Updated: May 25, 2025
His obsequies were celebrated with every sign of mourning, and he was buried in San Francesco at Lucca. Fortune was not so friendly to Pagolo Guinigi as she had been to Castruccio, for he had not the abilities. Not long after the death of Castruccio, Pagolo lost Pisa, and then Pistoia, and only with difficulty held on to Lucca.
Being neighbors, both in the city and the country, there had arisen between them some slight displeasure, which, however, had not occasioned an open quarrel, and perhaps never would have produced any serious effect if the malignant humors had not been increased by new causes. Among the first families of Pistoia was the Cancellieri.
Of their citizens and friends they mustered an army amounting to 20,000 foot and 3,000 horse, and with this body encamped before Altopascio, with the intention of taking the place and thus preventing it from relieving Pistoia.
But more than by such studies, the kinship and nationality of Pier della Francesca is proved by reference to the other branches of Tuscan art: his peculiarities correspond to the treatment of line and projection by those early stonemasons of the Baptistery and the Pistoia churches, to the treatment of enclosed spaces and manipulated light in those fifteenth-century sacristies and chapels, to the treatment of mass and boundary in the finest reliefs of Donatello and Donatello's great decorative follower Desiderio.
He gave promises to both, saying to Bastiano that he would come in person, and to Jacopo that he would send his pupil, Pagolo Guinigi. At the appointed time he sent forward Pagolo by way of Pisa, and went himself direct to Pistoia; at midnight both of them met outside the city, and both were admitted as friends.
He who fainted at the recital of Francesca, 'And he who fell as a dead body falls' would exterminate all the inhabitants of every town in Italy! What execrations against Florence, Pistoia, Pisa, Siena, Genoa! what hatred against the whole human race! what exultation and merriment at eternal and immitigable sufferings!
Pistoia awoke but a passing interest. Florence pleased us for a while. I think we appreciated the great figure of David in the grand square, and the sculptured group they call the Rape of the Sabines. We wandered through the endless collections of paintings and statues of the Pitti and Ufizzi galleries, of course. I make that statement in self-defense; there let it stop.
Pistoia was a den of beasts, and ought to be reduced to ashes; and the river Arno should overflow and drown every soul in Pisa. Almost all the women in Florence walked half-naked in public, and were abandoned in private. Every brother, husband, son, and father, in Bologna, set their women to sale.
"I was but lately rained down into this dire gullet," said the man, "amidst a shower of Tuscans. The beast Vanni Fucci am I, who led a brutal life, like the mule that I was, in that den Pistoia." "Compel him to stop," said Dante, "and relate what brought him hither. I knew the bloody and choleric wretch when he was alive."
And it is again an architectural quality, though in the sense of the carved portals of Pistoia, the flutings and fretwork and surface pattern of the Baptistery and S. Miniato, which gives such poignant pleasure in the work of a very different, but very great, sculptor, Desiderio. But the quality of Tuscan sculpture exists in humbler, often anonymous and infinitely pathetic work.
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