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We get a very lucid description of Chopin's tempo rubato from the critic of the Athenaeum who after hearing the pianist-composer at a London matinee in 1848 wrote: "He makes free use of tempo rubato; leaning about within his bars more than any player we recollect, but still subject to a presiding measure such as presently habituates the ear to the liberties taken."

The concert for which Chopin, prompted by his patriotism and persuaded by his friends, lent his assistance, was evidently a subordinate part of the proceedings in which few took any interest. The newspapers either do not notice it at all or but very briefly; in any case the, great pianist-composer is ignored. Consequently, very little information is now to be obtained about this matter. Mr.

He gave concerts with her, and found some moments of real bliss in her society, but she finally married another. A second affair was his love for Marie Wodzinski, whom he had known in childhood and met at Dresden. She was just nineteen, and endowed with charming beauty. The pianist-composer spent many an evening with her at the house of her uncle, and often joined the family in their walks.

Madame Clesinger, I may say in passing, was one of those in loving attendance on Chopin, and, as Franchomme told me, present, like himself, when the pianist-composer breathed his last. From the above we gather, at least, that it is very uncertain whether Chopin's desire to see George Sand was frustrated by her heartlessness or the well-meaning interference of his friends.

Still, besides the "Fantaisie-Impromptu," which one would not like to have lost, and one or two mazurkas, which cannot but be prized, though perhaps less for their artistic than their human interest, Fontana's collection contains an item which, if it adds little value to Chopin's musical legacy, attracts at least the attention of the lover and student of his music-namely, Op. 74, Seventeen Polish Songs, composed in the years 1824-1844, the only vocal compositions of this pianist-composer that have got into print.

According to this authority the pianist-composer rose when the proceedings were drawing to an end, and many speeches extolling him as a musician and patriot had been made, and spoke, if not these words, to this effect: "My dear countrymen! The proofs of your attachment and love which you have just given me have truly moved me.

Marie de Kohary, another pianist-composer, has written a set of sonatas and various other piano works. Mme. D'Hovorst has published a sonata for two pianos and various other works. Henrietta Vorwerk has received much praise for her piano pieces and songs, while Anna Zichy Stubenberg is another prolific worker in the same field.