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Updated: May 24, 2025
Perico's masterpiece was the Don Tancredo triptych, done in coal on the walls of the narrow entrance lane to La Corrala. This work overwhelmed the neighbours with admiration and astonishment. The first part of the triptych showed the valiant hypnotizer of bulls on his way to the bull-ring, in the midst of a great troop of horsemen; the legend read: "Don Tancredo on his weigh to the bulls."
"I thought of all the strange stories I had read and heard of meteors falling from the sky, and of phosphoric rocks, and of little known chemical elements which were mysteriously sensitive to certain atmospheric conditions, and wondered if Perico's stone could be any of these. All my requests to be allowed to see the wonderful stone, however, proved fruitless, Perico was obdurate.
"This is the part of the story which I do not like to tell. "On the black velvet lining of the cabinet, surrounded by the jumble of curios among which it had been tossed, lay old Perico's stone, not the plain, dark stone which I had put there, but a faintly glowing circle of lustrous light. "I shut the lid of the cabinet down, locked the box, and put the key in my pocket.
What a lot of time the man must have on his hands!" Years later, long after my marriage, I saw various little shows on this very boulevard. At one only did I attend often; that was Carlo Perico's "Fantoccini," which amused me vastly. These marionettes were so cleverly made, and their gestures were so natural, that the delusion sometimes succeeded.
In Manila I had him see that Jose Rizal who afterwards became so prominent in the political troubles of the islands, and who had such a tragic later history. Señor Rizal, who had studied in Europe, was a skillful oculist, and an operation which he performed on Perico's eye was entirely successful. I kept the old man with me until he was fully recovered, and then sent him back to his native island.
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