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Updated: July 8, 2025


It was a wonderful performance, sensuous and weirdly unusual. He had never seen a dance exactly like it before. The violin notes sounded like actual words, and the dancer answered them with responsive movements of her limbs, so that without speech the onlooker saw a love-drama enacted before his eyes.

They swarmed about her; one by one she recognized them: the woman who unable to bear up under her tragedy soon sinks into eternity or walks into it; the woman who disappears from the scene and somewhere under another name or with another lot lives on devoting herself to memory or to forgetfulness; the woman who stays on in the house, giving to the world no sign for the sake of everything else that still remains to her but living apart on the other side of the locked door; the woman who stays on without locking the door, half-hating, half-loving the accepted and rejected compromise; the woman who welcomes the end of the love-drama as the beginning of peace and the cessation of annoyances; the woman who begins to act her tragedy to servants and children and acquaintances reaping sympathy for herself and sowing ruin and torture for him; the woman who drops the care of house, ends his comforts, thus forcing the sharp reminder of her value as at least an investment toward his general well-being; the woman who endeavors to rekindle dying coals by fanning them with fresh fascinations; the woman who plays upon jealousy and touches the male instinct to keep one's own though little prized lest another acquire it and prize it more; the woman who sets a watch to discover the other woman: they swarmed about her, she identified each.

The unity of time is not very strictly kept, for the pair are traced from youth to age, and even beyond their mortal years. Moral reflections and occasional rhapsodies are wreathed about this physiological and psychological love-drama.

But through the returning festal ring the fateful motive is still straying in the bass. In the concluding revel the hue of meditation is not entirely banned. The Shakespearian love-drama thus far seems to be celebrated in the manner of a French romance. After all, the treatment remains scenic in the main; the feeling is diluted, as it were, not intensified by the music.

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