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Updated: May 16, 2025
May it not be that either Ab-nub, the father, or Sebek-user, the son, or both, may have been Egyptians resident at the Court of Knossos, either as representatives of Egyptian interests or as skilled artificers, and that the statuette is the memorial of one who died far from his native land, but not without friends to see that he did not lack the funerary attentions which would have been his at home?
In many cases these strainers were made of variegated marble, though pottery was also used for them. The bronze vessels from the north-west house at Knossos, and the swords from the earlier Zafer Papoura graves, testify to the skill with which metal was wrought.
They were the wooden walls, the long low black galleys with the vermilion bows, and the square sail, and the creeping rows of oars, that lay moored or beached at the mouth of the Kairatos River, or cruised around the island coast, keeping the Minoan peace of the Ægean. So long as the war-fleet of Minos was in being, Knossos needed no fortifications.
Gournia had had its modest palace, occupying an area of about half an acre, with its adaptation, on a diminutive scale, of the Knossian Theatral Area, its magazines, and its West Court, where palace and town met, as at Knossos, for business purposes.
But Knossos, far richer, far more splendid, than either Tiryns or Mycenæ, lies virtually unguarded, its spacious courts and pillared porticoes open on every side. Plainly, the Minoan Kings lived in a land where peace was the rule, and where no enemy was expected to break rudely in upon their luxurious calm.
In their own way they strove to continue, possibly under the modifying influence of the art tradition of their conquerors, the great story of the art of Knossos. There is no abrupt break in the style of the pottery and other articles belonging to the latest Minoan period, as compared with that of the days before the catastrophe.
The beginning of the use of this system may have been in the early part of the fifteenth century B.C., and it was in full service at the great catastrophe of Knossos, at the end of the fifteenth or beginning of the fourteenth century B.C. Its use still continued after the fall of the Minoan power, tablets inscribed with this form of writing being found in the Late Minoan III. House of the Fetish Shrine at Knossos.
On a closer approach the eye would be impressed by the wide and spacious courts, the stately porticoes, the noble stairways, and the wealth of colour everywhere displayed; but, on the whole, so far as can be judged, it was only from within that the splendour of the Minoan palaces could be fairly estimated. A palace such as that of Knossos sheltered an extraordinary variety and complexity of life.
In 1834 Pashley found that 'all the now existing vestiges of the ancient metropolis of Crete are some rude masses of Roman brick-work'; and Spratt in 1851 saw very little more, mentioning only 'some scattered foundations and a few detached masses of masonry of the Roman time, though in the time of the Venetian occupation there was evidently more to be seen, as Cornaro speaks of 'a very large quantity of ruins, and in particular a wall, many paces long and very thick. But expectation still fixed on Knossos as the most probable site for any Cretan discoveries.
This first palace of Phæstos had been destroyed, like the early palace at Knossos, but not at the same time, for it apparently lasted till the beginning of the Late Minoan period, while at Knossos the catastrophe of the first palace took place at the end of Middle Minoan II. From this fact it has been suggested that the first destruction of Knossos was the result of civil war, in which the lords of Phæstos overthrew their northern brethren of the greater palace, but the evidence seems somewhat scanty to bear such an inference.
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