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The reader will recognize in these the Chenoos, or Kewahqu', who cover themselves with pitch and roll on the ground.

This story from the Passamaquoddy Anglo-Indian, manuscript of Mitchell supplies some very important deficiencies in the preceding Micmac version. We are told that the heart of the Chenoo is of ice in human figure. This human figure is that of the Kewahqu' himself, or rather his very self, or microcosm.

"Now, my dear children," he said, "hasten to the top of yonder old mountain, high among the gray rocks. There you will find your friend." They fled, to the old gray mountain. The kewahqu' came raging and roaring in a fury, but however he pursued they were at the foot of the precipice before him. There stood the Rabbit. He was holding up a very long pole; no pine was ever longer.

It is their profession; they live in it. No one can read Beowulf or the Eddas without being struck by the great resemblance between Grendel, the hideous, semi-human night prowler, and the Kewahqu', a precisely similar monster, who rises from the depths of waters to wantonly murder man. I do not recall any two beings in any other two disconnected mythologies so strangely similar.

"Climb this," he said. And, as they climbed, it lengthened, till they left it for the hill, and then scrambled up the rocks. Then the kewahqu' came yelling and howling horribly. Seeing the fugitives far above, he swarmed up the pole. With him, too, it grew, and grew rapidly, till it seemed to be half a mile high.

If this can be taken out, the Kewahqu' can be tamed and cured. So she made a preparation or medicine, and offered it to him. He did not know what it was, nor its strength, so he swallowed it, and it gave him a vomit. She saw something drop, so quietly picked it up: it was the figure of a man of ice; it was the Kewahqu's heart.