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Updated: May 9, 2025
For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. . . . . . . "O Attic shape! Fair attitude! with brede* Of marble men and maidens over-wrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought
When moralists deprecate passion and contrast it with reason, they do so, if they are themselves rational, only because passion is so often "guilty," because it works havoc so often in the surrounding world and leaves, among other ruins, "a heart high-sorrowful and cloyed." Were there no danger of such after-effects within and without the sufferer, no passion would be reprehensible.
One opens his Christmas stories in this later day 'The Carol, The Chimes, The Haunted Man, The Cricket on the Hearth, and all the rest and with "a heart high-sorrowful and cloyed," asks himself for the preternatural virtue that they once had.
For ever warm and still to be enjoyed, For ever panting and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloyed, A burning forehead, and a parching tongue." "Well," said Parry, when I had done, "that's very pretty; but I don't see how it bears on the argument." "I think," I replied, "that it illustrates the point I wanted to make.
One opens his Christmas stories in this later day 'The Carol, The Chimes, The Haunted Man, The Cricket on the Hearth, and all the rest and with "a heart high-sorrowful and cloyed," asks himself for the preternatural virtue that they once had.
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