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Updated: September 4, 2025
Rhetoric The literary activity in the field of Latin rhetoric was, as might be expected, of a more subordinate kind. There was nothing here to be done but to write manuals and exercise-books after the model of the Greek compendia of Hermagoras and others; and these accordingly the schoolmasters did not fail to supply, partly on account of the need for them, partly on account of vanity and money.
This treatise seems for the most part compiled from the writings of Aristotle, Isocrates, and Hermagoras; and as such he alludes to it in the opening of his De Oratore as deficient in the experience and judgment which nothing but time and practice can impart.
I cannot, therefore, neglect to take some notice of those worthy knights, and my intimate friends, very lately deceased, P. Comminius Spoletinus, against whom I pleaded in defence of C. Cornelius, and who was a methodical, a spirited, and a ready Speaker; and T. Accius, of Pisaurum, to whom I replied in behalf of A. Cluentius, and who was an accurate, and a tolerably copious Advocate: he was also well instructed in the precepts of Hermagoras, which, though of little service to embellish and enrich our Elocution, furnish a variety of arguments, which, like the weapons of the light infantry, may be readily managed, and are adapted to every subject of debate.
If any one thinks that this is a proper part of an oration, he may follow Hermagoras. For precepts for embellishing, and praising, and blaming, have partly been already given by us, and partly will be given hereafter in their proper place.
Being pleased with the theatre he had a sketch taken of it and a plan made, with the intention of making one like it in Rome, but larger and more splendid. When he was in Rhodes, he heard all the sophists and made each a present of a talent. Poseidonius put in writing the discourse which he read before Pompeius in opposition to the rhetorician Hermagoras on the doctrine of general invention.
The corners are occupied by the patron saints, Hermagoras and Fortunatus. Round the apse, just above the patriarch's seat, runs a row of portraits of bishops of later date, half-lengths, beneath a round-arched arcade on a gold ground. On the left nave pier, near the door, are the remains of a painting of S. Helena, who has nimbus, cross, and book.
A large antique building of some kind, perhaps a prison or courts-of-law, connected with the martyrdom of SS. Hermagoras and Fortunatus, was used in the construction of the first cathedral, and portions of imperial work are to be seen in the lower parts of the eastern wall and the paving of the crypt. The baptistery, which rises to the west, also is on the base of a heathen temple.
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