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Updated: June 27, 2025
The exedrae at the back of the schola having no existence in Lucas's Bath, were omitted from the conjectural plan of the great Roman Bath. Lucas's Bath being a plain hall without piers, Sutherland assumed the same form for the hall of the great Roman Bath, and altogether omitted the arcades that divide it into three aisles.
The walls on the sides towards the hall, and externally, so far as I have been able to ascertain, are covered with the usual red plaster, shewing that they were internal walls; but from a piece of dentilled, or rather blocked, cornice, which fits the curve of one of the exedrae, I believe the walls were carried up on the north and south above the roofs of the adjoining rooms and corridors of the baths, so that they formed a feature in the elevation and afforded a broken skyline to the composition.
As the original pilasters on the north and south walls do not correspond with these piers, I am led to conclude that the schola and exedrae, north and south, were not vaulted at first, and were the only portion of the hall that was roofed, and that the roof was only of timber, supported by an arcade, the arches not exceeding 17ft. in height, and that the eaves of the roof of about 22ft. in height dipped towards the bath.
The cornice does not project sufficiently to be the cornice of a building, and, as it is decorated on either side, it could not have been intended for a string-course, as none of the walls are so thin as these stones, although I at first thought it might belong to one of the semi-circular exedrae. The curve is struck with a shorter radius than even the smallest recess.
Picture galleries, like exedrae, should be constructed of generous dimensions. Corinthian and tetrastyle oeci, as well as those termed Egyptian, should have the same symmetrical proportions in width and length as the dining rooms described above, but, since they have columns in them, their dimensions should be ampler.
Afterwards they made such progress as to represent the forms of buildings, and of columns, and projecting and overhanging pediments; in their open rooms, such as exedrae, on account of the size, they depicted the façades of scenes in the tragic, comic, or satyric style; and their walks, on account of the great length, they decorated with a variety of landscapes, copying the characteristics of definite spots.
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