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And in truth the opening picture was effective. Sixteen black-robed, long-bearded Netherland envoys stalking away, discomfited and indignant upon one side; Catharine de' Medici on the other, regarding them with a sneer, painfully contorted into a pathetic smile; Henry the King, robed in a sack of penitence, trembling and hesitating, leaning on the arm of Epergnon, but quailing even under the protection of that mighty swordsman; Mucio, careering, truncheon in hand, in full panoply, upon his war-horse, waving forward a mingled mass of German lanzknechts, Swiss musketeers, and Lorraine pikemen; the redoubtable Don Bernardino de Mendoza, in front, frowning and ferocious, with his drawn sword in his hand; Elizabeth of England, in the back ground, with the white-bearded Burghley and the monastic Walsingham, all surveying the scene with eyes of deepest meaning; and, somewhat aside, but in full view, silent, calm, and imperturbably good-humoured, the bold Bearnese, standing with a mischievous but prophetic smile glittering through his blue eyes and curly beard thus grouped were the personages of the drama in the introductory scenes.
Cardinal Bourbon, discarding his ecclesiastical robes and scarlet stockings, paraded himself daily in public, clothed in military costume, with all the airs of royalty. Many persons thought him mad. On the other hand, Epergnon, the haughty minion-in-chief, who governed Henry III., and insulted all the world, was becoming almost polite.
Cardinal Bourbon, discarding his ecclesiastical robes and scarlet stockings, paraded himself daily in public, clothed in military costume, with all the airs of royalty. Many persons thought him mad. On the other hand, Epergnon, the haughty minion-in-chief, who governed Henry III., and insulted all the world, was becoming almost polite.
And in truth the opening picture was effective. Sixteen black-robed, long-bearded Netherland envoys stalking away, discomfited and indignant upon one side; Catharine de' Medici on the other, regarding them with a sneer, painfully contorted into a pathetic smile; Henry the King, robed in a sack of penitence, trembling and hesitating, leaning on the arm of Epergnon, but quailing even under the protection of that mighty swordsman; Mucio, careering, truncheon in hand, in full panoply, upon his war-horse, waving forward a mingled mass of German lanzknechts, Swiss musketeers, and Lorraine pikemen; the redoubtable Don Bernardino de Mendoza, in front, frowning and ferocious, with his drawn sword in his hand; Elizabeth of England, in the back ground, with the white-bearded Burghley and the monastic Walsingham, all surveying the scene with eyes of deepest meaning; and, somewhat aside, but in full view, silent, calm, and imperturbably good-humoured, the bold Bearnese, standing with a mischievous but prophetic smile glittering through his blue eyes and curly beard thus grouped were the personages of the drama in the introductory scenes.
"The progress of the League," said Busbecq, "is teaching the Duc d' Epergnon manners. 'Tis a youth of such insolence, that without uncovering he would talk with men of royal descent, while they were bareheaded. 'Tis a common jest now that he has found out where his hat is." Thus, for a long time, a network of secret political combinations had been stretching itself over Christendom.
Cardinal Bourbon, discarding his ecclesiastical robes and scarlet stockings, paraded himself daily in public, clothed in military costume, with all the airs of royalty. Many persons thought him mad. On the other hand, Epergnon, the haughty minion-in-chief, who governed Henry III., and insulted all the world, was becoming almost polite.
And in truth the opening picture was effective. Sixteen black-robed, long-bearded Netherland envoys stalking away, discomfited and indignant upon one side; Catharine de' Medici on the other, regarding them with a sneer, painfully contorted into a pathetic smile; Henry the King, robed in a sack of penitence, trembling and hesitating, leaning on the arm of Epergnon, but quailing even under the protection of that mighty swordsman; Mucio, careering, truncheon in hand, in full panoply, upon his war-horse, waving forward a mingled mass of German lanzknechts, Swiss musketeers, and Lorraine pikemen; the redoubtable Don Bernardino de Mendoza, in front, frowning and ferocious, with his drawn sword in his hand; Elizabeth of England, in the back ground, with the white-bearded Burghley and the monastic Walsingham, all surveying the scene with eyes of deepest meaning; and, somewhat aside, but in full view, silent, calm, and imperturbably good-humoured, the bold Bearnese, standing with a mischievous but prophetic smile glittering through his blue eyes and curly beard thus grouped were the personages of the drama in the introductory scenes.
"The progress of the League," said Busbecq, "is teaching the Duc d' Epergnon manners. 'Tis a youth of such insolence, that without uncovering he would talk with men of royal descent, while they were bareheaded. 'Tis a common jest now that he has found out where his hat is." Thus, for a long time, a network of secret political combinations had been stretching itself over Christendom.
"The progress of the League," said Busbecq, "is teaching the Duc d' Epergnon manners. 'Tis a youth of such insolence, that without uncovering he would talk with men of royal descent, while they were bareheaded. 'Tis a common jest now that he has found out where his hat is." Thus, for a long time, a network of secret political combinations had been stretching itself over Christendom.
And in truth the opening picture was effective. Sixteen black-robed, long-bearded Netherland envoys stalking away, discomfited and indignant upon one side; Catharine de' Medici on the other, regarding them with a sneer, painfully contorted into a pathetic smile; Henry the King, robed in a sack of penitence, trembling and hesitating, leaning on the arm of Epergnon, but quailing even under the protection of that mighty swordsman; Mucio, careering, truncheon in hand, in full panoply, upon his war-horse, waving forward a mingled mass of German lanzknechts, Swiss musketeers, and Lorraine pikemen; the redoubtable Don Bernardino de Mendoza, in front, frowning and ferocious, with his drawn sword in his hand; Elizabeth of England, in the back ground, with the white-bearded Burghley and the monastic Walsingham, all surveying the scene with eyes of deepest meaning; and, somewhat aside, but in full view, silent, calm, and imperturbably good-humoured, the bold Bearnese, standing with a mischievous but prophetic smile glittering through his blue eyes and curly beard thus grouped were the personages of the drama in the introductory scenes.
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