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The singer told his impressario that he saw no reason why he should remain to the end and explained that he would leave his costume for a chorus man to don to represent him in the final episode. "What would the Master say?" demanded Conried, wringing his hands. "Would he approve of such a proceeding? No. That would not be truth! That would not be art!" Campanari was obdurate.
Even Rosa ought to be flattered by the admiration of a man like Alresca. Besides, so far as I know, they've seen very little of each other. They're too expensive to sing together often. There's only myself and Conried of New York who would dream of putting them in the same bill.
Among them were the Occidental Hotel, on Montgomery Street, for years the headquarters for army officers; the old Lick House, built by James Lick, the philanthropist; the California Hotel and Theatre, on Bush Street; and of theatres, the Orpheum, the Alcazar, the Majestic, the Columbia, the Magic, the Central, Fisher's and the Grand Opera House, on Missouri Street, where the Conried Opera Company had just opened for a two weeks' opera season.
Conried. As far as I could see, Raffles was wrapt in the music of the moment, and not once, to my knowledge, did he seem to be aware that there was such a thing as an audience, much less one individual member of it, on the other side of the footlights. Like a member of the Old Choral Guard, he went through the work in hand as nonchalantly as though it were his regular business in life.
The prescription that it should belong exclusively to Bayreuth was respected till December 24, 1903, when Heinrich Conried, taking advantage of the circumstance that there was no copyright on the stage representation of the work in America, brought it out with sensational success at the Metropolitan Opera-house in New York.
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