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Updated: May 23, 2025
And in the gesture of scorn and rage with which she dismissed him, Rafael thought he caught a trace of loathing at some memory of Boldini that repugnant lecher, who had been the only person in the world to win her by violence. Rafael tried to stammer an excuse, but that hateful association of the brutal scene rendered her implacable. "Go! Go, or I'll beat you again!... And never come back!"
Give him a brilliant virtuoso theme and he could handle it with some of the sweep and splendour of the early Carolus Duran or the brutal elegance of the later Boldini. But Madame Mineur was a pastoral. She did not express nervous gesture. She was seldom dynamic. To "do" her in dots like the pointillistes or in touches after the manner of the earlier impressionists would be ridiculous.
When the toilette was done, and the maid gone, she wound a thin black scarf round her olive neck and shoulders, and sat down negligently on a Chippendale settee in the attitude of a portrait by Boldini; her little feet were tucked up sideways on the settee; the perforated lace ends of the scarf fell over her low corsage to the level of the seat. And she waited, still the bride.
The supply is considerable and the names are not historic. Snobbery makes acceptable the portrait of a great lady, though it be by Boldini; and even Mr. Lavery may be welcome if he come with the picture of a king. But how are our ediles to know whether a picture of a commoner, or of some inanimate and undistinguished object, by Degas or Cézanne is good or bad?
These Cretan paintings of prehistoric young women, both in costume and pose, are like nothing so much as the portraits of distinguished ladies of the fashionable world of Paris exhibited by the painter, Boldini, in the "Salon." It is remarkable that explorers should have found contemporary paintings of young ladies who lived nearly as long before Cleopatra as she lived before us.
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