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Asada Khan was appointed regent of Bijapur, but immediately on his accession the new sovereign so offended his powerful subject that he retired to Belgaum, and Sultan Malu, giving himself up to all kinds of excesses, was deposed after a reign of only six months. Malu was blinded by the orders of his own grandmother, and Ibrahim Adil, his younger brother, was raised to the throne. It was now 1535.
Shortly after this, viz., in April 1524, the Muhammadans of Bijapur attacked these same mainlands with success, during the viceroyalty of Dom Duarte de Menezes. On October 31 of that year the Chamber of Goa wrote a report to the king of Portugal in which occurs the following passage:
Next year a fresh relay of troops from Bijapur attacked Salsette and Bardes, but were beaten by a small force of Portuguese near Ponda, and hostilities were suspended for a time. Shortly after this, viz., in 1557, Sultan Ibrahim died.
Vallabhâcârya left behind him eighty-four principal disciples whose lives are recorded in the work called the Stories of the Eighty-four Vaishṇavas, and his authority descended to his son Vithalnath. Like his father, Vithalnath was active as a proselytizer and pilgrim and propagated his doctrines extensively in many parts of western India such as Cutch, Malwa, and Bijapur.
In the previous year, says Firishtah, an alliance was cemented between Sultan Ibrahim of Bijapur and the new sovereign of Bidar, Ali Barid, son of Amir Barid.
Yusuf Adil Shah died in A.D. 1510, and his successor on the throne of Bijapur was his son Ismail. Krishna Deva Raya became Raya of Vijayanagar in 1509. The two last-mentioned monarchs were frequently in contact with one another, and in the end, according to our chronicles, the Hindu king was completely victorious.
Speaking of the new sovereign of Bijapur, the first of the Adil Shahs, in 1489, the historian tells us that the Adil's rival, Kasim Barid, asked the then minister of Vijayanagar for aid against the rising power of his enemy; and that "the Roy being a child, his minister, Heemraaje, sent an army" and seized the country as far as Mudkal and Raichur.
But the most serious reverse which he suffered was at the hands of a chief named Ain-ul-Mulkh, whom by ingratitude and ill-treatment he had driven into open rebellion. At the end of a short campaign against this person the royal troops were completely beaten, and the Sultan was driven to take refuge at Bijapur.
Albuquerque was now placed in a position of some political importance, and he wrote first to Vijayanagar saying that he would give the Raya the refusal of all his horses if he would pay him 30,000 cruzados per annum for the supply, and send his own servants to Goa to fetch away the animals, and also that he would aid the king in his war if he was paid the expense of the troops; and he wrote afterwards to Bijapur promising the Sultan the refusal of all horses that came to Goa if he would surrender to the king of Portugal a certain portion of the mainland opposite the island.
Jaunpur painting does not seem to have survived the sixteenth century and for our next illustrations of the theme, we must turn to the school of painting fostered by the Mughals. During the sixteenth century at least three Muslim states other than Jaunpur itself had possessed schools of painting Malwa in Central India and Bijapur and Ahmadnagar in the Deccan.
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