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Updated: June 11, 2025
What my mother's friend, and, it would seem, what Dr. du Boulbon liked above all in the writings of Bergotte was just what I liked, the same flow of melody, the same old-fashioned phrases, and certain others, quite simple and familiar, but so placed by him, in such prominence, as to hint at a particular quality of taste on his part; and also, in the sad parts of his books, a sort of roughness, a tone that was almost harsh.
I was by no means Bergotte's sole admirer; he was the favourite writer also of a friend of my mother's, a highly literary lady; while Dr. du, Boulbon had kept all his patients waiting until he finished Bergotte's latest volume; and it was from his consulting room, and from a house in a park near Combray that some of the first seeds were scattered of that taste for Bergotte, a rare-growth in those days, but now so universally acclimatised that one finds it flowering everywhere throughout Europe and America, and even in the tiniest villages, rare still in its refinement, but in that alone.
But the beauty of that stone, and the beauty also of those pages of Bergotte which I was glad to associate with the idea of my love for Gilberte, as if, in the moments when my love seemed no longer to have any existence, they gave it a kind of consistency, were, I perceived, anterior to that love, which they in no way resembled; their elements had been determined by the writer's talent, or by geological laws, before ever Gilberte had known me, nothing in book or stone would have been different if Gilberte had not loved me, and there was nothing, consequently, that authorised me to read in them a message of happiness.
Another time, being still obsessed by the desire to hear Berma in classic drama, I had asked her whether she had not a copy of a pamphlet in which Bergotte spoke of Racine, and which was now out of print.
And he would still have been received at Combray but for one thing. But in the matter of Bergotte he had spoken truly. For the first few days, like a tune which will be running in one's head and maddening one soon enough, but of which one has not for the moment 'got hold, the things I was to love so passionately in Bergotte's style had not yet caught my eye.
And, alas, he forbade also, most categorically, my being allowed to go to the theatre, to hear Berma; the sublime artist, whose genius Bergotte had proclaimed, might, by introducing me to something else that was, perhaps, as important and as beautiful, have consoled me for not having been to Florence and Venice, for not going to Balbec.
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