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Miss Catharine Hayes and Herr Begnis were engaged by Barnum in the fall of 1852 to give a series of sixty concerts in California, and the enterprise proved highly profitable, although Mr. Barnum intrusted its execution to his agents, not caring himself to travel so far.

Ah, Ronzi de Begnis, thou lovely one! Ah, Caradori, thou smiling angel! Ah, Malibran! But what is most certain and lamentable is the decay of stage beauty since the days of George IV. Think of Sontag! I remember her in Otello and the Donna del Lago in `28. Young fellows have never seen beauty like that, heard such a voice, seen such hair, such eyes. Don't tell me!

Begnis having completely failed in the speculation. The news of this having reached London, Paganini heard of it, and when Mr. Lewis proposed to engage him, he jumped at the conclusion that this was the same as De Begnis's speculation and that there could be only one theatre in Liverpool. Mr.

It was during this season that Pasta first sang with Malibran. Ronzi di Begnis had lost her voice, Caradori had seceded in a pet, and the manager in despair tried the trembling and inexperienced daughter of the great Spanish tenor to fill up the gap. She was a failure, as Pasta had been at first in England, but time was to bring her a glorious recompense, as it had done to her elder rival.

She was twice as handsome as Becky, but the brilliancy of the latter had quite eclipsed her. All voices were for her. Stephens, Caradori, Ronzi de Begnis, people compared her to one or the other, and agreed with good reason, very likely, that had she been an actress none on the stage could have surpassed her.

Ah, Ronzi de Begnis, thou lovely one! Ah, Caradoni, thou smiling angel! Ah, Malibran! But what is most certain and lamentable is the decay of stage beauty since the days of George IV. Think of Sontag! I remember her in Otello and the Donna del Lago in '28. Young fellows have never seen beauty like THAT, heard such a voice, seen such hair, such eyes.

In 1824 Pasta made her first English appearance at the King's Theatre, at which was engaged an extraordinary assemblage of talent, Mesdames Colbran-Rossini, Catalani, Konzi di Begnis, "Vestris, Caradori, and Pasta. The great tragedienne made her first appearance in Desdemona, and, as all Europe was ringing with her fame, the curiosity to see and hear her was almost unparalleled.

Spirited, without any affectation or brusquerie; beautiful, and knowing enough to be quite conscious of it; perfectly accomplished, and yet never annoying you with tattle about Bochsa, and Ronzi de Begnis, and D'Egville. "We also expect the Delmonts, the most endurable of the Anglo-Italians that I know. Mrs.