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Updated: May 15, 2025


He can divide his weights among more shafts; he can throw them in different places and different directions on the abaci; he can alter slope of bells or diameter of shafts; he can use spurred or plain bells, thin or thick abaci; and all these changes admitting of infinity in their degrees, and infinity a thousand times told in their relations: and all this without reference to decoration, merely with the five forms of block capital!

These capitals are not at all unlike French capitals of the thirteenth century, but are really of a common Moorish pattern often found elsewhere, as in the Alhambra. On them, moulded at the ends, but not in front or behind, rest abaci, from which spring stilted arches.

They are carved with more elaborate foliage and gilt, and the abaci follow more exactly the line of the caps below and are carved and gilded in the same way. Perhaps, however, the chief interest of the cathedral is found in the sacristy, a fine large room opening from the north transept chapel.

The capitals have square moulded abaci, and are rather rudely carved with budlike curled leaves; the pointed arches of the arcade are well moulded, and above them runs a continuous triforium gallery like that in the nave at Lisbon, but with small pointed arches.

To prevent the inconvenience and ugliness of driving the hinges and fastenings of them into the shafts, and having the play of the doors in the intervals, the entire glazing is thrown behind the pillars, and attached to their abaci and bases with iron. It is thus securely sustained by their massy bulk, and leaves their symmetry and shade undisturbed.

Below the part just described is the earlier work of the thirteenth century. It rises as far up as to the string-course formed by the continuation of the abaci of the capitals in the two small single-light windows. These narrow and sharp-pointed windows are peculiar. The arch-moulds are different from the other work of the same date in the church.

In fact, when the groups of shafts became excessively complicated, the expansion of their small abaci was of no use: it was dispensed with altogether, and the mouldings of pier and jamb ran up continuously into the arches.

Each of the four sides is pierced by two groups of coupled openings under superior arches, the several moulded members of which rise in four receding orders from the square abaci of the capitals of the angle shafts. The space between the pointed heads of the sub-arches on the east and west faces is pierced by quatrefoils; those on the west are different in design from those on the east.

In each case, in a round-headed opening there stand two small shafts with bases and elaborately carved capitals but without any abaci, supporting a large roll moulding, and these are all repeated inside at the inner face of a deep splay.

It has well-moulded arches and abaci; capitals richly carved with realistic foliage, and on each side six of the apostles, all very like each other, large-headed, long-bearded, and long-haired, with rather good drapery but bodies and legs which look far too short. St. Peter alone, with short curly hair and beard, has any individuality, but is even less prepossessing than his companions.

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