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Updated: June 4, 2025
In my opinion this is one of his earliest essays into the region of romance, painted probably before his twenty-first year, betraying, like the little legendary pictures in the Uffizi, a strong affinity with Carpaccio. Na. nal Gallery, London
Many a British householder has pictures hanging upon his walls with which he is so well pleased, that it would be a pity to question their genuineness and undeceive him. The chief and most important of the Art Museums are, the Uffizi or National Gallery of Florence, and the royal Pitti Palace.
The growth of a gallery Vasari's Passaggio Cosimo I Francis I Ferdinand I Ferdinand II Cosimo III Anna Maria Ludovica de' Medici Pietro-Leopoldo The statues of the façade Art, literature, arms, science, and learning The omissions Florentine rapacity An antique custom Window views The Uffizi drawings The best picture.
Among the statues wrought of this marble may be mentioned the famous group of the Laocoon found in the Baths of Titus; the beautiful Venus de Medici, discovered in the Villa of Hadrian, near Tivoli, and now in the Uffizi Gallery in Florence; and the well-known "Farnese Bull," sculptured out of a single block of huge dimensions, unearthed out of the ruins of the Baths of Caracalla, and now in the Museum of Naples.
If not, and not the Botticelli, it is beyond question that lovely adoring Madonna, so gentle and sweet, against the purest and bluest of Tuscan skies, which is attributed to Filippino Lippi: No. 1354. The Uffizi II: The First Six Rooms
She left the inn and pursued her course along the quay to the severe portico of the Uffizi, through which she presently reached the entrance of the famous gallery of paintings. Making her way in, she ascended the high staircase which leads to the upper chambers.
These are the two small works in the Uffizi, representing the "Judgment of Solomon" and the "Trial of Moses," the "Knight of Malta," also in the Uffizi, and the "Christ bearing the Cross," till lately in the Casa Loschi at Vicenza, and now belonging to Mrs. Gardner of Boston, U.S.A.
Among this crowd of unimpressive, nay brainless, representations of one of the grandest and sweetest of all stories, there stand out two an Annunciation by Signorelli, a small oil painting in the Uffizi, and one by Botticelli, a large tempera picture in the same room.
The popular Flora of the Uffizi, a beautiful thing still, though all the bloom of its beauty has been effaced, must be placed rather later in this section of Titian's life-work, displaying as it does a technique more facile and accomplished, and a conception of a somewhat higher individuality.
More truly representative of the Renaissance, its humanism and splendour, than any other school of painting in Italy, the earlier works of that great Venetian School are not seen to advantage in the Uffizi.
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