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Actualizado: 9 de mayo de 2025


The text has been taken completely, without any omissions or modifications, from the Hartzenbusch collection of Comedias Escogidas de Lope de Vega published in the Biblioteca de Autores Españoles and, where it varies from other texts with which it has been compared, the variation is noted.

Fernán Caballero was probably influenced by the Escenas andaluzas, the Escenas matritenses and Larra's essays on manners; and it is quite possible that from her German friends came to her some of the modern spirit of scientific investigation that led her to declare the novel to be "not the product of invention, but of observation."

The French literature, for instance, is more universal and less national than the Spanish, perhaps by the very force of geographical position. Spain is nearly surrounded by water, and on land it is separated from the rest of Europe, excepting only Portugal, by an almost insurmountable barrier of lofty mountains.

Soon after he left the Colegio de los Teatinos, at about the age of fourteen, Lope entered the service of Don Jerónimo Manrique, Bishop of Ávila, who took so great an interest in him that he sent him to the famous University of Alcalá de Henares, where he seems to have spent from his sixteenth to his twentieth year and on leaving to have received his bachelor's degree.

When the Spanish people, though deserted by many of those to whom they looked for leadership, had worn out the French by their stubborn resistance, a new disaster fell to their lot. Their American colonies, extending from California to the straits of Magellan, fell away from the mother country one by one, until only a few islands were left.

Later, at Madrid, he exhibits himself in a still more unfavorable light, and ends by driving her from his service, of which incident she gives a highly entertaining, though little edifying, narration. The last characters in the play who need occupy our attention are Martín and Pedro, the graciosos.

Of the early literary efforts of Lope de Vega, such as have come down to us are evidently but a small part, but from them we know something of the breadth of his genius. In childhood even he wrote voluminously, and one of his plays, El Verdadero Amante, which we have of this early period, was written at the age of twelve, but was probably rewritten later in the author's life.

It is most important for the light it sheds on the early years of his life, for it is largely autobiographical. Another volume, issued from the pen of Lope in 1634 under the title of Rimas del licenciado Tomé de Burguillos, contains the mock-heroic, La Gatomaquia, the highly humorous account of the love of two cats for a third.

Like other modern theaters, however, the Spanish theater springs directly from the Church, having its origin in the early mysteries, in which the principal themes were incidents taken from the lives of the saints and other events recorded in the Old and the New Testament, and in the moralities, in which the personages were abstract qualities of vices and virtues.

This work, which has probably been the most widely read of all Spanish novels since Don Quijote, marked the transition from romanticism to present-day realism in Spanish literature, as Flaubert's Madame Bovary did in French letters ten years later.

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