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These two works were followed in 1605 by his epic, Jerusalén Conquistada, an untrustworthy narration of the achievements of Richard Coeur-de-Lion and Alfonso VIII in the crusade at the close of the twelfth century.
Later, at Madrid, he exhibits himself in a still more unfavorable light, and ends by driving her from his service, of which incident she gives a highly entertaining, though little edifying, narration. The last characters in the play who need occupy our attention are Martín and Pedro, the graciosos.
It is upon the Novelas that his wider literary reputation rests, for in the narration of contemporary Spanish life, in the reflection of the ideas and the sentiments of the people, he has no rival.
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