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Actualizado: 13 de junio de 2025
Although modern realism triumphed in Spain only with the coming of Fernán Caballero's La gaviota in 1848, the ground was prepared in advance by several writers, the more important of whom are Larra, Estébanez de Calderón and Mesonero Romanos.
The comparison of the three is interesting, for all three had suffered the same insult; but before we judge Don Bernardo too hastily, we should consider that both the other two are making their appeals to valiant men, while he is appealing to a woman, and not appealing for vengeance as they, but rather lamenting his hard lot.
Y cuando ya mi tumba, de todos olvidada, no tenga cruz ni piedra que marquen su lugar, deja que la are el hombre, la esparza con la azada, y mis cenizas, antes que vuelvan a la nada, el polvo de tu alfombra que vayan a formar. Entonces nada importa me pongas en olvido. Tu atmósfera, tu espacio, tus valles cruzaré.
Gutiérrez has not kept the classic unities of time and place, but he has kept the one important unity, that of action; since, although our interest may at times be divided between the protagonists of the drama and a less important character, we never lose interest in the former. The characters, although well drawn, are not strong.
A volunteer in the African war of 1859, he won a cross for gallantry in battle, and his account of the war brought him sudden fame as a writer. In his earlier novels Alarcón was fond of sensation, as young writers are wont to be.
Comedias heroicas, which have royalty as the leading characters, are lofty or tragical in sentiment, and have historical or mythological foundation. Comedias de santos, which represent some incident of biblical origin or some adventure in the lives of the saints.
Look, love, what envious streaks Do lace the severing clouds in yonder east; Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain's tops; I must be gone and live, or stay and die. Téngase en cuenta que ni Massucio, ni Da Porta, ni Brooke, hablan en esta ocasión del ruiseñor como Groto y Shakespeare.
The immortal Cervantes wrote many plays in this period and claimed to favor the classic drama, but his dramatic works are not of sufficient importance to win for him a place in either party.
234 Le llaman gaucho mamao si lo pillan divertido, y que es mal entretenido si en un baile lo sorprienden; hace mal si se defiende y si no, se ve- fundido. 235 No tiene hijos ni mujer, ni amigos ni protetores, pues todos son sus señores sin que ninguno lo ampare: tiene la suerte del güey, y ¿donde irá el güey que no are?
Perhaps his very object in these compositions drew Lope away from the culture and urbanity which distinguish him in others; but fortunately they are few. Let us mention as examples El rufian Castrucho, La Moza de Cántaro, El sabio en su casa, La doncella Teodor."
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